watch the FLOMM trailer!
@FLOMMUS threads! FLOMM instagram! FLOMM facebook! buy us a coffee

THE BATTLE FOR MODeRN 1923


  chunks of flommus 

SUBSCRIBE!  FEEDLY     RSS     EMAIL 

*whispers* this post isn’t really about a star war

The Last Jedi came out in De­cem­ber 2017 and al­most overnight there were pre­dom­i­nate­ly two schools of thought: 

1.
Cry­ba­by fan­boy losers (most­ly ⚪️) were Big Mad that women and peo­ple of col­or were in THEIR Star War and there­fore the film sucked and was the worst Star War EVAR.

2.
It was ground­break­ing and sub­ver­sive and un­prece­dent­ed­ly bril­liant in every way. Flaw­less. A mas­ter­piece. THE BEST Star War. Noth­ing will ever sur­pass it. Per­ma­nent­ly at the top of the Star War rank­ings for all time.
 

The dis­course around TLJ rapid­ly be­came less about the movie it­self and more about what side you were on po­lit­i­cal­ly and so­cial­ly ac­cord­ing to how you felt about it. 

•   Racist and misog­y­nis­tic ass­holes ac­cused any­one who liked the film of lik­ing it only be­cause it was woke. 

•   Per­for­ma­tive pro­gres­sives ac­cused any­one who hat­ed it of hat­ing it only be­cause ob­vi­ous­ly they were racists and misogynists.
 

This was hap­pen­ing less than one full year into Trump’s pres­i­den­cy, so ten­sions were al­ready run­ning ex­treme­ly high and no­body was hap­py, not even the peo­ple who vot­ed for him. 

I thought he was go­ing to do good things. He’s not hurt­ing the peo­ple he needs to be hurting.”
Crys­tal Minton, Trump Vot­er, 1/7/19, ar­ti­cle in the New York Times
 

There was lit­tle to no room in the con­ver­sa­tion for peo­ple who had zero prob­lems what­so­ev­er with their Star War char­ac­ters be­ing some­thing oth­er than cishet ⚪️ men, but who dis­liked the film for a litany of oth­er ar­guably valid reasons. 

(Quick aside — of course there’s an end­less va­ri­ety of gen­ders and eth­nic­i­ties in Star Wars — we are talk­ing about en­tire galax­ies here — but for bor­ing ass cishet ⚪️ men, the uni­verse be­ing dom­i­nat­ed by their mediocre ilk is their ul­ti­mate wet dream)

If you said you didn’t like it, peo­ple who were quick to demon­strate their lib­er­al cred jumped all over you and no mat­ter your ex­pla­na­tion, you weren’t in­tel­lec­tu­al enough to “get it” at best and you were a racist and a misog­y­nist at worst. 

The op­po­site even hap­pened to peo­ple who liked the film for rea­sons en­tire­ly un­re­lat­ed to its in­clu­sion of women and peo­ple of col­or — the ass­hole fan­boys couldn’t con­ceive of some­one sim­ply en­joy­ing a Star War for it be­ing a Star War. 

No, ob­vi­ous­ly you’re just do­ing what the woke me­dia is telling you to do!

It was ridicu­lous and painful­ly stu­pid.

And of course, in the end, it re­al­ly wasn’t about Star Wars at all. Not one bit. 


 

Every­one felt com­plete­ly pow­er­less to do any­thing about the con­stant in­san­i­ty hap­pen­ing all around them at break­neck speed, so the film be­came a su­per lame lit­mus test for which side you were on. 

Ar­gu­ments about who Star Wars right­ful­ly “be­longed to” may as welll have been ar­gu­ments about who Amer­i­ca right­ful­ly be­longed to, and who did or didn’t be­long *in* America.
 


 

In the end, the Last Jedi was just an­oth­er piece of bril­liant­ly mar­ket­ed en­ter­tain­ment tossed to us by one of the rich­est, largest, most pow­er­ful com­pa­nies in the world, like a piece of raw meat tossed to two dogs chained up in the yard. 


 

For just a lit­tle while we were en­thu­si­as­ti­cal­ly go­ing to bat for or against a film that did what it was ul­ti­mate­ly sup­posed to do de­spite how­ev­er we felt about it po­lit­i­cal­ly and cul­tur­al­ly: It made a lot of peo­ple in­volved with it a lot of money. 

And, re­gard­less of how the lovers or the haters did or didn’t make those peo­ple feel about their part in it, at the end of the day, they still all got to go home to their man­sions and mil­lions and re­lax and en­joy lux­u­ries most of us can only dream of.

 

—emi­ly duchaine

Flom­mist Emi­ly Duchaine lives in the Pa­cif­ic North­west. She likes to drink mead, learn about sharks, and lis­ten to the Talk­ing Heads. She pre­tends to be a pro­fes­sion­al busi­ness­woman most days. Copy­right © 2024 Emi­ly Duchaine. Im­age sources: The bloody internet.

read en l’ordre cronológi­co

· · ·  a pre­vi­ous post
A NEXT POST  • • •
sub­se­cuente

shar­ing ist nice



PLEASE   SUPPORT   FLOMM
TIPS  +  DONATIONS  DISCREETLY  ACCEPTED

FLOMM
promotes learning  +  education worldwide
drawing attention to works by nü  +  upcoming artists,
designers, writers, musicians  +  MOR

OUR INVOLVEMENT
– however –
is mostly paid for out of pocket or in trade

IF YOU ENJOY
wat  FLOMM  is doing here, please consider


1.   LEAVE US A TIP  :
use our tip jar whenever the mood hits



2.   BUY OUR SWAG  :
our approach is semi-green —
                all our  FLOMMHAUS  merch is made to order




3.   HELP US OUT  :
use our hashtags  #flomm  #flommus  #whereisflomm  #nüflommart  #flommist
when posting on ur socials —
or drop us a note and offer to help in some way
everything we do is on a volunteer basis —
             when we say  YOU CAN BE A FLOMMIST TOO  this is wat we mean


THANK YOU
your support helps our continued efforts
to create content across numerous platforms

clic 「 HIER   」 to return to the DER TUNG front page

 

 

 
Der Tung
Posted
Thu 1 Feb 2024

    FLOMM is   an educational MODERN ART movement   •  art history resource
                                                         •  that promotes learning thru nü  • •  alternative medía  • • •

FLOMM is a Trademark of Steve Mehallo, Sacramento California USA. Copyright © Steve Mehallo. Call the FLOMM Answering Machine at +1 (916) 741 2394. FLOMM IS A SUPPORTER OF NON-VIOLENT ARTS EDUCATION.

flomm social media may contain explicit content foul language, questionable ideas, and art


    Contact:

    Required*