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THE BATTLE FOR MODeRN 1923


  chunks of flommus 

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irony is hard

Peo­ple aren’t get­ting shocked into ac­tion when you share an­i­mal bru­tal­i­ty videos.

No one can see the link to sign the pe­ti­tion or do­nate be­cause they’ve long since hit Hide on the post.

Knock it off with the hor­rif­ic sen­sa­tion­al­ism. You aren’t brave­ly shar­ing the aw­ful truth, you’re just ru­in­ing a lot of people’s day.

When you’re FB friends with some dis­tant pro­file just be­cause you’re sure they’re on some bizarre de­tached Dadaist Miles Davis 1970 lev­el of ab­stract so­cial me­dia post­ing but then over time you slow­ly re­al­ize that they weren’t on some rar­i­fied wave­length but are re­al­ly just a dip­shit and you some­how con­fused gen­uine shit­post­ing for es­o­teric shit­post­ing and it just ad­dles the noo­dle.

Norm Macdonald’s Dirty Work (2004) seems sci­en­tif­i­cal­ly en­gi­neered for 3:47 a.m., Fri­day Night.
 
 

—ja­son malm­berg

Flom­mist Ja­son Malm­berg is a sim­ple man who be­lieves in brown liquor and small dogs. He also makes art some­times. Copy­right © 2018 Ja­son Malm­berg. Pic­tured: Jean Crot­ti, Por­trait of Edi­son (cropped), 1920, source.

read en l’ordre cronológi­co

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Der Tung
Posted
Sat 15 Dec 2018

    FLOMM is   an educational MODERN ART movement   •  art history resource
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