Watched Star Wars: The Last Jedi (2017).
I’ll try to make it as spoiler-less as possible, but you will have a clearer idea of what to expect in the film, so I give you a moderate warning if you want to avoid spoilers at all.
It’s overall very satisfying film, thankfully with less of nostalgia fan service and its own plot and character development. Unlike The Force Awakens (2015) which felt a lot like A New Hope (1977) remake, The Last Jedi does not imitate The Empire Strikes Back (1980) so much (though the two are the most alike).
Almost all actors did a wonderful job, especially Mark Hamill and Carrie Fisher. They were both the best since The Empire Strikes Back. Daisy Ridley was superb, and Andy Serkis delivering another near-perfect job acting as an animated character. Those who I didn’t like are probably due to the script, not necessarily their acting. Among the new characters, I was very glad to see Laura Dern back in a blockbuster. Now all the major characters in Jurassic Park (1993) tick the space sci-fi checkbox in their CV!
The story is full of memorable moments that made me gasp, all of which are original ideas that were not done in Star Wars before. Those are the real gems of the film, for which I praise the film highly. It is not perfect, however; in fact, I have a major issue with a certain subplot in the middle part. It felt totally out of place and unnecessary, and I was thinking to myself ‘WTF am I watching?’ And the characters I do not like are related to this.
The film is the longest in the Star Wars history, and the film would have had much tighter story and better flow had it not been for the said scene. This is like the Return of the Jedi problem, in which a ton of characters were introduced to sell more toys (also the same reason why Natalie Portman wore so many different dresses in the prequel trilogy). On a minor level, the three main characters’ interaction is a little weak, and I think the movie is suffering from having too many characters, old and new.
The editing is a tad too quick, and there were a lot of cuts that I thought they needed a bit more room to breathe. And if I remember correctly, the classic wipe transition was used very little where it had a lot of chances. Overall the editing job did not feel quite like Star Wars apart from the action scenes, which were very well shot too.
The music is a miss for me again. The Force Awakens did not have memorable songs, and the soundtrack was the weakest aspect in my opinion. The Last Jedi has more recycled bits of the old songs, which are sprinkled around similarly uninteresting mess. The ending credit song was so messy that the moments of fan service really got my nerve (and the opening theme was also unsatisfactory, I’m getting really picky here). You may not like the prequel trilogy, but its soundtrack was original and strong. I think they should move to a new generation in the music department too, instead of keep hiring John Williams whom I consider no longer capable of handling Star Wars. People have done amazing contribution to the Star Wars soundscape in the past, most notable among them are Joel McNeely’s The Shadows of the Empire (1996).
The enemy army is just diverse in terms of gender and ethnicity as in The Force Awakens, though they are still only humans. The conflict between totalitarian all white men (basically space Nazi) and the united diversity was a great contrast of ideals, and that’s what makes us root for the rebels. Star Wars get a lot of outcries for diversity (e.g. more Asian, more female), but applying that to the guys we are supposed to hate weakens the message in my opinion. It’s not a major or new problem, but i’ve never discussed this, so I put it here.
In my opinion, this is the first post-original Star Wars that tells a new story successfully. The prequel trilogy was a long predetermined path to the start of the original, to which I give a lot of credit for originality but it was unfortunately written and directed by George Lucas. The Force Awakens had to win back the fans’ trust by making it very close to the original. And Rogue One (2016) is just an official fan-made Star Wars porn that my opinion keeps getting worse. Now that the apology for the prequels are out of the way, the The Last Jedi is what the seasoned fans really want. Compared to The Force Awakens, the story is less focused but taking a lot of chances, just as brave as The Empire Strikes Back. I will probably have better impression in subsequent viewings now that I know what to focus on.
As for now, the score is 8.5/10. Given the way it ended, I hope the last one will be smaller in scale but much more personal. After all, that’s why I liked The Empire Strikes Back the most.
While I left the theatre mostly satisfied, I am starting to worry that they may be introducing too many things and ideas, and disposing then rather quickly. This is reflected in the script and editing to some extent, as everything felt a little disconnected, convenient, and short-lived. The questions from the previous films are either unanswered or explicitly disregarded, while new elements are continuously added. I have a feeling that the last episode will either be a big mess trying to tie up everything, or blatantly ignorant of anything prior, still adding new stuff and throwing everything out of the window with a sloppy conclusion (I am worried because the director J.J. Abrams has done exactly that in the past, in LOST (2004–10)), or just keep them as idea for another new trilogy which Disney has announced already. Yes they did.
—toshi omagari
Flommist Toshi Omagari fights many things, most recent of which is the auto-correction of his title to florist. Copyright © 2017 Toshi Omagari.
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