star wars super spoiler discussion ahead
continued from yesterday
Overall, I really loved the film after I left the theatre. Then I started thinking a lot and noticed it’s a quite unbalanced film. The quality difference between the good and bad bits are so great and I am tending more towards negative. I do praise the creative direction of the film, but Force Awakens was better structured and had fewer missteps which make the latter technically better.
stuff i have no complaint about
• The main Jedi storyline. This is perfect, fresh, and I love it so much.
• Visuals, both practical and digital.
• Acting (even from the characters I didn’t like, which result from the script, not actors).
• Porgs, which I found not as annoying as I thought, and used very carefully.
stuff i have issues with
• Music. Just like in The Force Awakens, the soundtrack is not as creative or memorable as before, and I think John Williams lost his edge. You can hate the prequels all you want, but at least the soundtrack was amazing. In the series of generational changes both in story and production, John Williams is one of the few people who were obligatory, and I wish it was done by a younger and more creative composer.
• The most pointless and annoying character, which is not Porgs but C‑3PO. He has become just a checkbox for the series and no longer serves the main plot. He just keeps talking whenever he has a chance and nobody wants to communicate with him; Leia tells him to shut up, Poe tells him to shut up, and Luke doesn’t even speak to him (admittedly that wink was funny). I think C‑3PO has become the new Jar Jar Binks in this trilogy.
• The entire Fynn’s subplot, not just the planet casino but everything that happens around him. The codebreaker is inconsequential (was Del Toro the guy they were looking for and he got his badge stolen?), so is the end of the tracking device (it was never turned off, just destroyed with the ship itself). The Chinese mechanic and Del Toro are subsequently unnecessary. In this plot, Fynn does not accomplish anything, nor does he have evolution in his character. He just kills his former boss, not by his own ability but by surprise. This plot also highlights the shady war merchants, but the point could have been made much better than this. Just referring to their existence does not make a good scene since it does not affect the main plot. Lando Calrissian was a far better character in this respect.
• Poe’s subplot. I think what they were trying to do was the twist on ‘the only guy who knew everything and proved everyone wrong.’ His hot-headed heroism causes him to make mistakes and learn to listen, which is an interesting message. They also wanted to push a girls power moment with Laura Dern and Carrie Fisher, by letting the main guy make a mistake. Problem is, there was absolutely no reason for the escape plan to be secret. Laura Dern’s stubborn secrecy created very artificial tension and brought the Resistance army to jeopardy for no reason. I think the cost of meaningless secrecy is too great for the points of the plot.
• Following the previous two points, the fact that the film already doesn’t know what to do with the said two main characters.
• Snoke. On one hand, I am glad that the film killed him off. Star Wars always had two or two goals, which was personal and general one, namely Vader and the Emperor. Now that they are just one person, which is somehow new in Star Wars, I like that the story is getting more personal. However, given the whole history of six episodes before him, The film really needed to explain who Snoke was. In contrast, the Emperor Palpatine or Simi Skywalker’s cases were very different. We didn’t know anything prior, and it didn’t matter. You can’t make a mystery like this in a sequel.
• How Maz Kanata found Luke’s lightsaber. Just like Snoke, this was another question made forcefully obsolete, and it now seems pointless to revisit in the future. I really hate that the script is constantly disregarding the questions it doesn’t want to answer. The details of the unanswered questions were apparently not planned at all when Rian Johnson started writing the script and everything was open, so you cannot say they were planned to be terminated this way from the start. He just decided to end the discussion without payoff.
• The Jedi’s original text and the tree house. Rey claims to have been there before (which I feel will be ignored in the last episode), but it was brought up only in this film and already discarded. Another setup without payoff.
• The First Order’s diversity. They are supposed to be bad guys we hate, totalitarian white male humans, essentially Space Nazis. The beauty of the Rebels is the united diversity, and I think they should have kept the contrast. This is of course not new and applies to The Force Awakens too.
• The skating speeder. Its red trails are visually impressive, but I feel that’s all they wanted to do. Those speeders are easy targets from any threat above, and have no weapon or defence. Seriously, what were they trying to do with that thing?
i have an idea about how to fix fynn and poe’s stories
The reason why the First Order could track the Resistance fleet is stupid. Introduce a double agent within the Resistance, who is constantly communicating with the First Order. Make the Resistance doubt each other this way, especially Fynn given his background. Fynn needs to find out the true spy on board while evading the entire Resistance now on the hunt for him; whether Poe helps Fynn or doubts him is optional. This also gives the reason as to why the escape plan needs to be secret.
I think the best candidate for the spy is Captain Phazma but without her armour; you could easily establish that nobody has seen her true figure and she could easily pass by Fynn unless she speaks, which could be her reveal. And I think Gwendoline Christie deserves some face time.
Potential down side to this is that all the conflict and fight happen inside the ship, making it more Star Trek-ish and the film will lack a middle action sequence. The drama and suspense needs to be really good in order to make this work.
—toshi omagari
Flommist Toshi Omagari fights many things, most recent of which is the auto-correction of his title to florist. Copyright © 2017 Toshi Omagari.
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