from people who care a helluva lot

Peo­ple can do any­thing if they be­lieve it.

Chris­tian­i­ty cer­tain­ly wasn’t cap­i­tal­ism and built an or­der of thou­sands – if not mil­lions – of church­es. Coun­ters will be im­ple­ment­ed soon on an in­ven­to­ry of church­es, trees, fish, rats, and the best es­ti­mates will be pro­vid­ed un­til we get ex­act num­bers.

Cap­i­tal­ism now; isn’t ex­act­ly free of be­lief, peo­ple can do it, and com­mit the great­est atroc­i­ties be­cause they be­lieve it.

And this era is not about opin­ion. It’s about opin­ion giv­ing into com­mer­cial dom­i­na­tion, and sub­se­quent ni­hilism and con­vic­tion that the mass­es with­out fresh ideals will solve it to­day.

These are fresh ideals, but with­out them, the mass­es can not be­lieve any­thing else?!

  
FLOMM !
DER TUNG !
THIS  is the only site and blog where you are
FREE  and  BRIL­LIANT

Wat is a com­mer­cial bill­board or com­merce? It is an ei­ther de­bil­i­tat­ing phrase on a de­bil­i­tat­ing art­work, OR it is an ide­al­ist phrase that abus­es ide­al­ism and es­thet­ics to a flac­cid, pow­er­less, im­po­tent, and de­based ar­ti­san good or idea. This is why you may need neu­rolep­tic psy­chi­atric drugs.

Tell your doc­tor wat’s right for you.

This is the only safe haven, we will fea­ture wa­t­ev­er is most di­rect in its fi­nal as­sault on the de­bil­i­tat­ing age and its com­mer­cial ni­hilism and con­sumer ap­a­thy.

It is the only site that UN­COM­PRO­MIZ­ABLY sup­ports all calls for re­volt of the un­der­ground and funds it­self with 100 per­cent qual­i­ty ar­ti­san ini­tia­tives and ideals.

It is the only site that OPEN­LY calls out to ANY ge­nius TO !

                     SOLVE !
     THIS !
MESS !      with  us  !!

 

DER TUNG is pub­lished most­ly-dai­ly +
is sed­u­lous­ly edit­ed by FLOMM founder STEVE MEHAL­LO !
YOU CAN VERY MUCH SUB­SCRIBE HERE !

 

(this post was edit­ed for run­ning time and to fit your bour­geois screen)

 

—aey­lyeaelle ell­he de el­len­deh

Flom­mist Aey­lyeaelle Ell­he De El­len­deh is a ne­oro­man­tic and neosym­bol­ist artist and philoso­pher, stud­ied sculpt­ing at The Roy­al Acad­e­my of Dec­o­ra­tive Arts of Antwerp Bel­gium, He de­cried ac­tu­al­ly hav­ing fall­en in love stand­ing be­fore the Psy­che of Leighton in Lon­don, hav­ing cried over the Sleep­ing Beau­ty by Suss­mann hell­born and hav­ing spir­i­tu­al re­li­gious af­fec­tions for the Sphinc Mys­terieux by Charles van der Stap­pen. Dec­o­ra­tive sculp­tor and Au­thor of a neosym­bol­ist mythol­o­gy on Kant­ian per­cep­tion, on the imag­i­na­tion, in­spi­ra­tion, art, deca­dence, es­thet­ics and pas­sion, hate, mis­an­thropy main­ly. Heav­i­ly in­flu­enced by Huys­mans A re­bours and Schopen­hauers refuge in art as Sades will to free erotics. He in­vent­ed the Eif­fel tow­er sev­er­al times the size of the cur­rent one in paris to launch trains into space in an art nou­veau way. He in­vent­ed can­dles on re­mote con­trol. He in­vent­ed a game of chess with over 200 pieces per play­er and in an en­tire­ly clas­si­cal and de­scent set­up. With a line of Bish­ops, an Army, an­gels, boul­ders, with tow­ers that need to be de­fend­ed for­ward to launch the boul­ders, with a court, and a high­er court with Elvin, Elvin King, Em­per­or, Em­press and vam­pire of melan­choly and a vam­pire le­gion. He is a self de­clared mad­man and of­fi­cial­ly de­clared in­sane by the state of Bel­gium deu to his ro­man­tic up­risals. De­sign­er and ar­chi­tect of the fu­ture city of Anae­htheana, which is best de­scribed as the most beau­ti­ful and lux­u­ri­ous place ever de­vised, with the con­crete bridges done again in mar­ble, a wild zoo where the high­way is now. And a for­ti­fied vat­i­can in­spired wall for a le­gion of Joans of Arc he is try­ing to call. Among that, he is call­ing upon all ar­che­types cur­rent­ly in cos­play goth­ic and mu­sic to build, among oth­er things, a Vam­pire Lane with goth­ic schools, goth­ic mu­se­ums and goth­ic lounges and palaces. And an Angh an­gel fortress. It is his one and only and fi­nal mis­sion to re­place all com­mer­cial bill­boards with ro­man­tic and aca­d­e­m­ic paint­ings. Etc … Copy­right © 2018 Aey­lyeaelle Ell­he De El­len­deh. This post was ALSO writ­ten for the Ayris Ma­chine, an art con­struct by Aey­lyeaelle. Im­age: Boul­lée.‬

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