“The quality of light which is so characteristic of the Central Valley became a very important factor.” —Roland Peterson
On Sunday, 13 November 2016 another world-class museum opened on northern Californian soil – as UC Davis held a ribbon cutting ceremony unveiling the Jan Shrem and Maria Manetti Shrem Museum of Art.
The museum’s 44,000-square-foot space signature feature is a 50,000 square-foot ‘Grand Canopy’ of perforated aluminum triangular beams, supported by 40 steel columns. The building’s design is light-filled, porous and pairs handsomely with the adjacent Mondavi Center.
In daylight, the expansive canopy creates the gradient shadow so integral to the campus’ graphic identity. The focal point throughout the ceremony was the colorful undulating chain wrapped around the canopy and main entrance designed by UC Davis alumna Lisa Rybovich Crallé. This chain served as the ribbon for the event and was a site-specific installation containing 500 soft chain-links strung together. Each link was made by community members in a series of workshops held at Sacramento’s Verge Center for the Arts – the building which housed Axis Gallery’s FLOMM SEPTt EXPÉRIMENTo last year. The piece symbolically reinforces the theme of the arts being a unifying force.
Everything about the Manetti Shrem Museum seems steeped in the Central Valley light that Peterson credited as his enduring source of inspiration. This is a museum whose core values are making and teaching art.
Its lecture halls, classroom, and studio space are open to everyone, even non-matriculated students.
And a phrase on a contribution box touts universal access to the arts as not only a part of the UC Davis tradition but also our own.
The three inaugural exhibitions include:
Out Our Way
13 November 2016 – 26 March 2017
Showcases the development of the UC Davis Art Department during its formative years. Featuring works from renowned faculty like William T. Wiley, Roy DeForest and Roland Petersen.
Pia Camil: A Pot for a Latch
13 November 2016 – 19 February 2017
An immersive participatory art installation by Mexico City-based artist Pia Camil. The piece is an amalgam of mercados (Mexican outdoor markets) and Native American potlaches, or gifting feasts. Personal objects hang from each panel via hooks, shelves, and fixtures. The cacophony of objects beckon the viewer’s engagement and imbues the entire space with a sense of the ceremonial. Objects run the gamut from a kitsch naked onesie to a moving environmental screen print. Visitors are invited to exchange a personal object for those displayed in the installation on designated days.
Chris Sollars – Hoof & Foot: A Field Study
13 November 2016 – 19 February 2017
A video installation that juxtaposes imagery of hoof and foot together to delve into the symbiotic relationships between animals and students on the UC Davis campus.
For more information, hours, collections and MOR, please visit the Manetti Shrem website.
—louis hernandez
Flommist Louis Herdandez is obsessed with going Bauhaus and becoming The Machine. Preferably a drill press. Copyright © 2016 Louis Hernandez.
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