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THE BATTLE FOR MODeRN 1923


  chunks of flommus 

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then and now: separating the art from the artist

 

As hu­mans,
we have dif­fi­cul­ty rec­on­cil­ing the fact that some­one whose life work is so syn­ony­mous with one thing could lead a trou­bled life that seems so op­po­site in phi­los­o­phy to so much of their life’s best work.

Learn­ing that John Lennon, famed an­ti­war ad­vo­cate and Aquar­i­an trou­ba­dour of the peace and love era, used to mur­der home­less peo­ple, dis­em­bow­el­ing them, and us­ing their skin as a kind of full-body dis­guise to be able to go out into the world and get his rac­ing forms

… well …

Ghast­ly to be sure, yes. Ghoul­ish indeed.

But it should do noth­ing to di­min­ish the sub­tle beau­ty of Straw­ber­ry Fields For­ev­er, or the hushed grandeur of Hap­pi­ness is a Warm Gun.

 

Pills, po­lice And end­less war: 20 years ago, Pri­mal Scream saw our future”
Matthew Per­pet­ua, NPR

20 years ago, Pri­mal Scream’s XTRM­N­TR came out and its en­tire aes­thet­ic was like quench­ing rain on parched land.

At the mil­len­ni­um shift the cul­ture was in a shit­ty place. XTRM­N­TR was a shock to the sys­tem in both sound and visuals.





It’s hard to over­state the in­flu­ence this had on me as a de­sign­er at the time.

Bright gra­di­ents are every­where now but at the time they were a bold, brave de­sign choice.

The new mil­len­ni­um be­gan with this record.





 

Now play­ing!

Re­mem­bered this one in the wake of Knives Out (2019):


 

And this
was my jam this weekend:

 

—ja­son malmberg

Flom­mist Ja­son Malm­berg is a sim­ple man who be­lieves in brown liquor and small dogs. He also makes art some­times. Copy­right © 2020 Ja­son Malmberg.

read en l’ordre cronológi­co

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Der Tung
Posted
Mon 10 Feb 2020

    FLOMM is   an educational MODERN ART movement   •  art history resource
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