the kind and the ignoramuses

Be­ing so­cial is im­moral as it only thrives through a lack of sen­si­bil­i­ty for all the un­com­fort­able sit­u­a­tions.

The Kind want to be loved by most,
but most treat The Kind with envy and poi­son.

It’s a sew­er to­day.

The old clothes came off,
the clothes or ro­co­co per­ver­sion,
the clothes of baroque splen­dour,
the clothes of re­nais­sance in­ti­ma­cy and el­e­gance and man dressed and thought as pigs.

And there was noth­ing but hypocrisy and bore­dom. And hys­te­ria.

And then, this was the last line of the bible,
now bury me as well.

Toss me out of the win­dow for all I care,
be­cause,
the con­scious ends.

It’s a tragedy. and then it isn’t,
it soon will be, what am I writ­ing for?

I ex­ist, but know, the con­scious, that which longues a pro­longed ex­is­tence, nev­er been so close.

A myth as a death, death as, hope­less for those that thor­ough­ly be­lieve the uni­verse was wait­ing for.

We may also con­clude that the an­cient old prob­lem of be­ing stu­pid doesn’t re­volve around ac­tu­al ig­no­rance,
but a per­sis­tence to up­hold it through
a lack of gen­eros­i­ty.

This di­vides the bla­tant Ig­no­ra­mus­es from The Kind Lov­able Dum­mies.
 
 

—aey­lyeaelle ell­he de el­len­deh

Flom­mist Aey­lyeaelle Ell­he De El­len­deh is a ne­oro­man­tic and neosym­bol­ist artist and philoso­pher, stud­ied sculpt­ing at The Roy­al Acad­e­my of Dec­o­ra­tive Arts of Antwerp Bel­gium, He de­cried ac­tu­al­ly hav­ing fall­en in love stand­ing be­fore the Psy­che of Leighton in Lon­don, hav­ing cried over the Sleep­ing Beau­ty by Suss­mann hell­born and hav­ing spir­i­tu­al re­li­gious af­fec­tions for the Sphinc Mys­terieux by Charles van der Stap­pen. Dec­o­ra­tive sculp­tor and Au­thor of a neosym­bol­ist mythol­o­gy on Kant­ian per­cep­tion, on the imag­i­na­tion, in­spi­ra­tion, art, deca­dence, es­thet­ics and pas­sion, hate, mis­an­thropy main­ly. Heav­i­ly in­flu­enced by Huys­mans A re­bours and Schopen­hauers refuge in art as Sades will to free erotics. He in­vent­ed the Eif­fel tow­er sev­er­al times the size of the cur­rent one in paris to launch trains into space in an art nou­veau way. He in­vent­ed can­dles on re­mote con­trol. He in­vent­ed a game of chess with over 200 pieces per play­er and in an en­tire­ly clas­si­cal and de­scent set­up. With a line of Bish­ops, an Army, an­gels, boul­ders, with tow­ers that need to be de­fend­ed for­ward to launch the boul­ders, with a court, and a high­er court with Elvin, Elvin King, Em­per­or, Em­press and vam­pire of melan­choly and a vam­pire le­gion. He is a self de­clared mad­man and of­fi­cial­ly de­clared in­sane by the state of Bel­gium deu to his ro­man­tic up­risals. De­sign­er and ar­chi­tect of the fu­ture city of Anae­htheana, which is best de­scribed as the most beau­ti­ful and lux­u­ri­ous place ever de­vised, with the con­crete bridges done again in mar­ble, a wild zoo where the high­way is now. And a for­ti­fied vat­i­can in­spired wall for a le­gion of Joans of Arc he is try­ing to call. Among that, he is call­ing upon all ar­che­types cur­rent­ly in cos­play goth­ic and mu­sic to build, among oth­er things, a Vam­pire Lane with goth­ic schools, goth­ic mu­se­ums and goth­ic lounges and palaces. And an Angh an­gel fortress. It is his one and only and fi­nal mis­sion to re­place all com­mer­cial bill­boards with ro­man­tic and aca­d­e­m­ic paint­ings. Etc … Copy­right © 2018 Aey­lyeaelle Ell­he De El­len­deh. Im­age: Franz Marc, Horse in a Land­scape (cropped), 1910, source.‬

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