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THE BATTLE FOR MODeRN 1923


  chunks of flommus 

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still all white people*

*Ex­cept for Tai­ka.

[drum­m­m­m­m­m­mm­roll pls  ·  ·  ·  ·  ·  ·  ·  ·  ·  ·  ·  ·  · ]

the 2020 os­car nom­i­na­tions in a nut­shell:

Jok­er:
White man is mad.

Mar­riage Sto­ry:
Rich white peo­ple are mad.

The Irish­man:
Old white peo­ple are sad.

The Two Popes:
Two old white men are mad/sad.

Once Upon a Time in Hol­ly­wood:
White woman is glad.

Jojo Rab­bit:
Hitler is bad.

No nom­i­na­tions where it counts for Mid­som­mar, Us, The Light­house.

Noth­ing for Dolomite. Crim­i­nal.

I have not seen Lit­tle Women but I feel con­fi­dent in say­ing it should have been rec­og­nized more.

At least Par­a­site got a few. Though The Farewell was com­plete­ly over­looked.

Also, while on the top­ic of film,

They re­al­ly missed an op­por­tu­ni­ty not hav­ing that box scene.

 

—emi­ly duchaine

Flom­mist Emi­ly Duchaine lives in the Pa­cif­ic North­west. She likes to drink mead, learn about sharks, and lis­ten to the Talk­ing Heads. She pre­tends to be a pro­fes­sion­al busi­ness­woman most days. Copy­right © 2020 Emi­ly Duchaine.

read en l’ordre cronológi­co

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Der Tung
Posted
Sat 18 Jan 2020

    FLOMM is   an educational MODERN ART movement   •  art history resource
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