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THE BATTLE FOR MODeRN 1923


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Peo­ple find com­mu­nal­i­ty in say­ing every­one is alone, so you would end up be­ing very alone say­ing there is al­ways com­mu­nal­i­ty.

Like­wise, the sub­jec­tiv­i­ty every­one sup­pos­es pre­sup­pos­es agree­ing with every­one else leav­ing noth­ing to one self.

This is the bee hive, the uni­for­mi­ty and anonymi­ty.

This is the prob­lem – which, when it is seen forms a new avant garde – which only the most in­tel­li­gent to­day could un­der­stand.

We are nowhere if we would re­side in a for­est or at­tend mass­es in church, we see this para­dox at the front­line of thought, it is not some­how we went con­ser­v­a­tive.

We bear wit­ness to the root prob­lem of the pro­gres­sive.

We then trail this main cri­tique of so­ci­ety along trac­ing it in all these mes­sages in cult no­tions where so­ci­ety tries to ad­dress the prob­lems and pit­falls of be­ing lost.

And where it is keen or de­mand­ing, scream­ing for a so­lu­tion.

We trace this here in the prob­lem of the dec­o­ra­tive ver­sus the func­tion­al, aes­thet­ics, and he­do­nism ver­sus re­spect for na­ture.

The ecol­o­gy. Hence the ma­chine you have found – this con­sists of two main legs for reeval­u­a­tion the es­thet­ic and ecol­o­gy for re­nais­sance.

When will the rich have au­thor­i­ty again and fur­bish the world with a real re­nais­sance?

Look here, it’s my foun­tain, now it’s

OWWH !!   you can all have junk pots.
 


 

—tris­ti­tia lan­guorem

Flom­mist Tris­ti­tia Lan­guorem eats tragedy. They have many names but it doesn’t change much the whole premise of the ideals. Antwerp, Bel­gium is where home is. It’s time for a fresh start. Copy­right © 2023 Tris­ti­tia Lan­guorem. Up top: Shibuya Os­amu, Con­struc­tion of Ar­ti­fi­cial Flow­ers Lack­ing in Sym­pa­thy (de­tail), c.1925., source.

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Der Tung
Posted
Fri 17 Nov 2023

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