the decay of modernism

 
In         the death and the de­cay of         mod­ernism
 
and post­mod­ernist
                                    de­con­struc­tivism

the sub­jec­tiv­i­ty                                         an­a­lyt­ics
and arche­ol­o­gy it­self is

                de­con­struct­ed
                sub­jec­ti­fied
                an­a­lyzed and arche­ol­o­gized
and all cul­tures                                         art for­mal­i­ties

CAN     ARE     AND     HAVE
                        to be con­sid­ered again
 

This     SHOULD     and     WILL
go fur­ther than the pu­ri­tanist ob­scen­i­ty
of mass uni­for­mi­ty
                                con­formism     and     con­sump­tion
 

When mod­ern “pseu­do” re­li­gions are con­sid­ered
                                        and the whole

        de­cap­i­tat­ed rit­u­al
and re­li­gion of con­cep­tu­al art
                                        we can see the avant garde

in­stead of hav­ing suc­ceed­ed
it has failed     and cre­at­ed a mon­ster
        well
a mon­strous re­li­gion to be ex­act

the bour­geoisie is as yet not erad­i­cat­ed
it is now
        naked
                lit­er­al­ly
when con­sid­er­ing its hous­es     and its ple­beian at­ti­tude every­where
which spouts up and al­most no one can re­sist
 

When Nietzsche’s per­pet­u­al re­turn is es­tab­lished as a sci­en­tif­ic fact
                which it is
as it is when death does not ex­ist

and you would in­stant­ly be trans­ferred
                                             in an in­fin­i­ty of time

to a mo­ment
where a uni­verse ex­ists where you ex­ist again

BY DE­F­I­N­I­TION of in­fin­i­ty to ex­ist     that is true

so this can not be al­lowed
                                        to be so de­plorable
 

Be­cause against that light     God     and ANY­THING you would at­tribute to him
is triv­ial

and why he would cre­ate a whole uni­verse and leave us with this

the prob­lem of that or any non man cen­tral or athe­ist there­fore a per­cep­tu­al idea should be dis­missed

as clear­ly it came from Schopen­hauer
and his prob­lem was par­tic­u­lar­ly heinous
                                             there WAS no proof

but the re­li­gion of troll cul­ture
was bound too loose in evo­lu­tion

I al­ways start­ed from a point     that math­e­mat­ics is po­et­ry

of course
with the func­tion­al­i­ty
                                        and min­i­mal­ism
                                             and con­cep­tu­al­ism
now be­com­ing use­less

you would PRAY against noth­ing­ness
for a truth or a shred of beau­ty

                                        but now with THIS
and this whole man­i­fest

                be­cause     a white dove came to me
 

I be­lieve I have turned po­et­ry into math­e­mat­ics

 

—aey­lyeaelle ell­he de el­len­deh

Flom­mist Aey­lyeaelle Ell­he De El­len­deh is a ne­oro­man­tic and neosym­bol­ist artist and philoso­pher, stud­ied sculpt­ing at The Roy­al Acad­e­my of Dec­o­ra­tive Arts of Antwerp Bel­gium, He de­cried ac­tu­al­ly hav­ing fall­en in love stand­ing be­fore the Psy­che of Leighton in Lon­don, hav­ing cried over the Sleep­ing Beau­ty by Suss­mann hell­born and hav­ing spir­i­tu­al re­li­gious af­fec­tions for the Sphinc Mys­terieux by Charles van der Stap­pen. Dec­o­ra­tive sculp­tor and Au­thor of a neosym­bol­ist mythol­o­gy on Kant­ian per­cep­tion, on the imag­i­na­tion, in­spi­ra­tion, art, deca­dence, es­thet­ics and pas­sion, hate, mis­an­thropy main­ly. Heav­i­ly in­flu­enced by Huys­mans A re­bours and Schopen­hauers refuge in art as Sades will to free erotics. He in­vent­ed the Eif­fel tow­er sev­er­al times the size of the cur­rent one in paris to launch trains into space in an art nou­veau way. He in­vent­ed can­dles on re­mote con­trol. He in­vent­ed a game of chess with over 200 pieces per play­er and in an en­tire­ly clas­si­cal and de­scent set­up. With a line of Bish­ops, an Army, an­gels, boul­ders, with tow­ers that need to be de­fend­ed for­ward to launch the boul­ders, with a court, and a high­er court with Elvin, Elvin King, Em­per­or, Em­press and vam­pire of melan­choly and a vam­pire le­gion. He is a self de­clared mad­man and of­fi­cial­ly de­clared in­sane by the state of Bel­gium deu to his ro­man­tic up­risals. De­sign­er and ar­chi­tect of the fu­ture city of Anae­htheana, which is best de­scribed as the most beau­ti­ful and lux­u­ri­ous place ever de­vised, with the con­crete bridges done again in mar­ble, a wild zoo where the high­way is now. And a for­ti­fied vat­i­can in­spired wall for a le­gion of Joans of Arc he is try­ing to call. Among that, he is call­ing upon all ar­che­types cur­rent­ly in cos­play goth­ic and mu­sic to build, among oth­er things, a Vam­pire Lane with goth­ic schools, goth­ic mu­se­ums and goth­ic lounges and palaces. And an Angh an­gel fortress. It is his one and only and fi­nal mis­sion to re­place all com­mer­cial bill­boards with ro­man­tic and aca­d­e­m­ic paint­ings. Etc … Copy­right © 2023 Aey­lyeaelle Ell­he De El­len­deh. Pic­tured: Marie Lau­rencin, Women with Dove (de­tail), 1919.‬

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