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THE BATTLE FOR MODeRN 1923


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different storytellings

I like movies be­cause I like stories. 

I could give a damn about see­ing my­self up on screen but that’s very like­ly due to the fact that as a hon­key bro I’ve nev­er even had to try. 

Black Pan­ther (2018) was ob­vi­ous­ly flat out amaz­ing and the real take­away that even the most stri­dent anti-SJW trolls should be able to get on board with is this: 

More kinds of peo­ple = more kinds of stories. 

That’s a very good thing. 

How many sto­ries or dif­fer­ent ap­proach­es to com­mon sto­ries have we missed out on be­cause the cam­eras have al­ways been trained square­ly on the same sta­ble of skin tones, body types, gen­ders, sex­u­al­i­ties etc?

Hope­ful­ly the run­away suc­cess of Pan­ther will make stu­dios less skit­tish about open­ing the band­width up to a greater spec­trum of viewpoints/experiences and the les­son learned won’t be “peo­ple love cli­mac­tic rhi­no bat­tles and they are show­ing it.”

 
 

—ja­son malmberg

Flom­mist Ja­son Malm­berg is a sim­ple man who be­lieves in brown liquor and small dogs. He also makes art some­times. Copy­right © 2018 Ja­son Malm­berg. Pic­tured: Al­brecht Dür­er, The Rhi­noc­er­os, 1515.

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Der Tung
Posted
Fri 23 Feb 2018

    FLOMM is   an educational MODERN ART movement   •  art history resource
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