specimen one

“The Broth­ers Goncourt ac­tu­al­ly start­ed one of the mag­a­zines most woman read to­day. And it sprang thou­sands, if not mil­lions of mag­a­zines that girls read to­day. And what did they do? They had none at their cel­e­bra­tion par­ty of their start of this, of this what life is. They shared, bot­tles of cham­pagne, with ac­ci­den­tal by­passers.”
—some­thing so beau­ti­ful for a wise in­ves­ti­ga­tion for the FLOMM anals
 

Weep, read it and weep.

Read The Broth­ers Goncourts, if you want to know what love is, among broth­ers among artists among soli­tary rats in a du­ty­full cel­lar.

Read the clas­sics, feast on their minds like vir­gins loins.

As saints of the arts, I start a church. The cathe­drals of the Imag­i­na­tion, High­er then any church, for every vil­lage, for every city more then three or per­haps twen­ty, in a cir­cle or a pavil­ion, NA­TURE would spare some trees for that, but i will have them on the roofs and on the cres­cents of their arch­es.

And the Cross­es of Christ, may be re­placed, in haste, with Melan­choly God­dess above, hold­ing a lake of wa­ter

And hethred be­low, play­ing with ser­pents and cats and rats. The holy cross of noth­ing but, the truth and the re­spon­si­bil­i­ty and the sanc­ti­tude of cre­ative pow­er and hi­er­ar­chy.

The Com­po­si­tion of a Færy Plan­et with cas­tles, rivers, thou­sands, mil­lions of cas­tles, tril­lions of trees. On MARS. Of which grav­i­ty dic­tates, that usu­al men can not live there.

Mir­a­cle 88 and I pre­dict a Færy War, on a Færy Plan­et, Mars, where the grav­i­ty is so low we have to clone pe­tite women, færies liv­ing on Mars, and there will be a War, be­cause you will al­ways refuse to lis­ten to me. A per­fect world, is a mu­tu­al con­sent where nev­er a strike from my Le­gions will be hit­ting a heart, an eye, a fin­ger­nail even.

That is my promise to this world. I will stand be­fore my le­gions as one man.

And I will be guard­ed by my pride’s demons, my coro­na Etherith.
 
 

—aey­lyeaelle ell­he de el­len­deh

Flom­mist Aey­lyeaelle Ell­he De El­len­deh is a ne­oro­man­tic and neosym­bol­ist artist and philoso­pher, stud­ied sculpt­ing at The Roy­al Acad­e­my of Dec­o­ra­tive Arts of Antwerp Bel­gium, He de­cried ac­tu­al­ly hav­ing fall­en in love stand­ing be­fore the Psy­che of Leighton in Lon­don, hav­ing cried over the Sleep­ing Beau­ty by Suss­mann hell­born and hav­ing spir­i­tu­al re­li­gious af­fec­tions for the Sphinc Mys­terieux by Charles van der Stap­pen. Dec­o­ra­tive sculp­tor and Au­thor of a neosym­bol­ist mythol­o­gy on Kant­ian per­cep­tion, on the imag­i­na­tion, in­spi­ra­tion, art, deca­dence, es­thet­ics and pas­sion, hate, mis­an­thropy main­ly. Heav­i­ly in­flu­enced by Huys­mans A re­bours and Schopen­hauers refuge in art as Sades will to free erotics. He in­vent­ed the Eif­fel tow­er sev­er­al times the size of the cur­rent one in paris to launch trains into space in an art nou­veau way. He in­vent­ed can­dles on re­mote con­trol. He in­vent­ed a game of chess with over 200 pieces per play­er and in an en­tire­ly clas­si­cal and de­scent set­up. With a line of Bish­ops, an Army, an­gels, boul­ders, with tow­ers that need to be de­fend­ed for­ward to launch the boul­ders, with a court, and a high­er court with Elvin, Elvin King, Em­per­or, Em­press and vam­pire of melan­choly and a vam­pire le­gion. He is a self de­clared mad­man and of­fi­cial­ly de­clared in­sane by the state of Bel­gium deu to his ro­man­tic up­risals. De­sign­er and ar­chi­tect of the fu­ture city of Anae­htheana, which is best de­scribed as the most beau­ti­ful and lux­u­ri­ous place ever de­vised, with the con­crete bridges done again in mar­ble, a wild zoo where the high­way is now. And a for­ti­fied vat­i­can in­spired wall for a le­gion of Joans of Arc he is try­ing to call. Among that, he is call­ing upon all ar­che­types cur­rent­ly in cos­play goth­ic and mu­sic to build, among oth­er things, a Vam­pire Lane with goth­ic schools, goth­ic mu­se­ums and goth­ic lounges and palaces. And an Angh an­gel fortress. It is his one and only and fi­nal mis­sion to re­place all com­mer­cial bill­boards with ro­man­tic and aca­d­e­m­ic paint­ings. Etc … Copy­right © 2018 Aey­lyeaelle Ell­he De El­len­deh.‬

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