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THE BATTLE FOR MODeRN 1923


  chunks of flommus 

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the emotional support snail

I know per­fect­ly well that Ayn Rand was a fascist —

but can­not stop my­self from cheer­ing on the ar­chi­tect Howard Roark, stub­born hero of her nov­el, The Foun­tain­head, when he says, 

I don’t in­tend to build in or­der to have clients; I in­tend to have clients in or­der to build.”

My feel­ings, exactly. 

Why can we not ad­mit that self-in­ter­est is hu­man? I don’t live for oth­ers. But un­like Rand, I sure hope that oth­ers do.

Rand felt that so­ci­ety had been poi­soned by the naïve prin­ci­ples of al­tru­ism, fair­ness and shar­ing. It was no ac­ci­dent that she ab­horred com­mu­nism. She came from Russia.
 

It’s be­yond politics. 

Greedy peo­ple who flaunt their own avarice, who hate, who hurt oth­ers, are bad.

But peo­ple who pub­licly ad­mit to their own vanity,
who are ashamed of their own lazy,
self­ish behavior,
their hateful,
mean feel­ings … these are my people.

There’s noth­ing wrong with feel­ing proud, no mat­ter how re­pul­sive you are. 

But Rain­bow Pride Lis­ter­ine? Shame on you, Proc­ter & Gamble! 

Or the new LGBT sand­wich? That’s Let­tuce, Gua­camole, Ba­con and Tomato.

SHAME.  

… That’s an idea I can get be­hind. We need a SHAME pa­rade. That would re­al­ly bring us together! 

We’re all ashamed of some­thing. My plac­ards say, “I EAT LEFT­OVERS FOR BREAK­FAST or “I’ve been pay­ing 600 dol­lars a month to store some stuff I haven’t seen for 22 years.”
 

This one is a ter­rif­ic ac­tress, but stay in your lane, girl.

How about Ju­lianne Moore as an ugly mis­fit? Poor, poor Freck­le­face Straw­ber­ry!

That’s Moore’s children’s book about a lit­tle girl who was bul­lied be­cause she had red hair and freck­les, and she tried to hide them, but then she re­al­izes that’s what makes her so very special! 

The moral? Be your­self and you will win!

In an iron­ic twist, that’s the ubiq­ui­tous cook­ie cut­ter for­mu­la to every sin­gle children’s book or movie since 1989.

The thing is – what if there were a lit­tle girl to who it had nev­er oc­curred to be ashamed of her freck­les. But then she comes across this id­i­ot­ic book. 

Ex­act­ly.

Read Astrid Lind­gren instead:

Scene: Out­side a De­part­ment Store
“What does it say on the sign?” asked Pip­pi.
She could not read that well, she did not go to school like oth­er children.
“It says: “Do you suf­fer from freck­les?” said Annika.
“Oh, in­deed,” said Pip­pi thoughtfully.
“Well, a po­lite ques­tion re­quires a po­lite an­swer, let’s go in!”
She pushed open the door and went in­side, close­ly fol­lowed by Tom­my and An­ni­ka. There was an old­er lady be­hind the counter. Pip­pi went straight up to her.
“No,” she said firmly.
“What is it you want?” said the lady.
“No,” said Pip­pi again.
“I do not un­der­stand what you mean,” said the lady
“No, I do not suf­fer from freck­les,” said Pippi.
“But, dear child, you have a whole face full of freckles.”
“Sure,” said Pip­pi. “But I don’t suf­fer from them, I en­joy them! Good morning!”

 

Nev­er mind misog­y­nist Pi­cas­so,
for whose work my ad­mi­ra­tion is limitless,
un­apolo­getic, and
ex­treme­ly ob­vi­ous to any­one who has seen even one of my paint­ings … can it be a co­in­ci­dence that near­ly all of my fa­vorite artists and au­thors were evil, de­spi­ca­ble monsters?
 

The Tal­ent­ed Mr. Rip­ley is one of my top ten books, whose fe­male au­thor be­lieved men­stru­at­ing women should not be al­lowed in libraries. 

This is no longer a prob­lem for me, in spite of the fact that I di­vide near­ly all my time be­tween The New York So­ci­ety Li­brary,
The Lon­don Li­brary, and
Stads­bib­lioteket Göte­borg.

On the oth­er hand, the fact that Pa­tri­cia High­smith was an Olympic lev­el racist,
anti-Semi­te and
world-class homophobe
(de­spite be­ing a les­bian her­self) re­al­ly ought to be.

And then, there are  …  the snails.

Ec­cen­tric­i­ty is no crime. I dress like a bum­ble­bee pi­rate clown my­self, and en­cour­age it in oth­ers. But thought you should know: High­smith kept hun­dreds of snails as pets, her pre­ferred com­pan­ions at any cock­tail party. 

She’d go out on the town with few un­der each breast, tucked in­side her bra, with let­tuce leaves to snack on, or walk around with these things in her handbag.

And if you must bring your gas­tropods through French cus­toms, thanks to Pat, we now know that this is the way to do it. I’m con­vinced that soon Gen­er­a­tion Snowflake will adopt the Emo­tion­al Sup­port Snail as their panacea of choice. 

Af­ter all, noth­ing says men­tal health like a co­terie of gooey mol­luscs co­hab­it­ing in one’s unmentionables.
 

Fi­nal­ly, meet My Fa­vorite Monster,
The Fan­tas­tic Mr. Roald Dahl whose es­tate beat out both Michael Jack­son and Prince in 2021, at an es­ti­mat­ed an­nu­al in­come of 513M

Re­cent­ly his long­time pub­lish­er hired sen­si­tiv­i­ty read­ers which re­sult­ed in an­o­dyne, PC re­vi­sions of Char­lie and the Choco­late Fac­to­ry,
Matil­da,
James and the Gi­ant Peach, and
Fan­tas­tic Mr. Fox.

Writ­ing in Lilith, Michele Lands­berg point­ed out that 

evil, dom­i­neer­ing, smelly, fat, ugly women are Roald Dahl’s fa­vorite villains.”

I’ve been told that I smell rather de­light­ful, but as a dom­i­neer­ing, fat, and ugly woman my­self, and also as, tech­ni­cal­ly a Jew, I’d like to de­fend this top-earn­ing dead celebrity.

No more un­at­trac­tive, mean villains!

Chil­dren, hence­for­ward, will be de­nied the chance of dis­cov­er­ing racism and sex­ism for them­selves, and un­der­stand­ing their ubiq­ui­tous his­to­ry.

Cleans­ing the re­volt­ing, de­spi­ca­ble witch­es of their vi­cious mis­an­thropy serves who, exactly?

Dahl was quot­ed as saying, 

There’s a trait in the Jew­ish char­ac­ter that does pro­voke an­i­mos­i­ty … even a stinker like Hitler did­n’t just pick on them for no reason.”

Wowsers!

Peo­ple, even peo­ple who are chil­dren, need to hear that kind of crap, and feel their own re­ac­tion to it. They need to read the real thing to un­der­stand the flawed com­plex­i­ty of a bril­liant man, and our messy and trag­ic world that is vi­o­lent, hate­ful and, for all of hu­man his­to­ry … the norm. All the can­cel cul­ture on earth will nev­er erase the re­al­i­ty of hate, prej­u­dice and war, go­ing on right now, as it al­ways has and al­ways will.

Dahl’s Oom­pa-Loom­pas were African Pyg­mies that Won­ka shipped to Eng­land in pack­ing cas­es to slave in his fac­to­ry for­ev­er. They were black. By turn­ing them into vague­ly white crea­tures, (or worse – Hugh Grant paint­ed or­ange in the Won­ka movie) we learn that slav­ery nev­er happened. 

And now we have peo­ple in pow­er who nev­er learned his­to­ry, and ex­cel at re­peat­ing it.

And tell me why this quote is so fun­ny. Well, I think it is: 

… Mex­i­can mu­ral­ist Diego Rivera, hus­band of Fri­da Kahlo, used en­caus­tic paint­ing in his large-scale murals .…”

Fri­da’s hus­band — ?

Rivera was ten times the artist she was, in spite of his un­fash­ion­able XY chromosome.

Why her fussy, over­pro­duced, and self-pity­ing im­agery re­sult­ed in a mul­ti-bil­lion dol­lar tchotchke in­dus­try and law­suit against Ulta Beau­ty, be­cause the brow palettes pack­ag­ing down­plays her uni­brow and mus­tache, I will nev­er understand.
 

Creepy sex tourist Gau­g­in,
Jew hat­ing De­gas, and
over­ex­posed neu­ro­di­ver­gent fem­i­nist dar­ling Yay­oi Kusama
all get a free pass, as they’re not among my fa­vorite artists. 

How­ev­er, I can­not re­sist this chance to quote the dot­ty Asian racist verbatim.

In her au­to­bi­og­ra­phy In­fin­i­ty Net,
pub­lished in 2002,
Kusama char­ac­ter­izes Black peo­ple as “prim­i­tive, hy­per-sex­u­al­ized be­ings,” and in the orig­i­nal Japan­ese edi­tion of the book, Kusama also called her New York neigh­bor­hood a “slum” where real es­tate prices were “falling by $5 a day” be­cause of “black peo­ple shoot­ing each oth­er out front, and home­less peo­ple sleep­ing there.”

These lines were re­moved from an Eng­lish trans­la­tion of the au­to­bi­og­ra­phy pub­lished in 2011.

Since we rewrite Dahl, why stop there? 

Where will it end?


 

In 1980, the au­thor Fay Wel­don was in­ter­viewed on my fa­vorite BBC pro­gram, Desert Is­land Discs:

FW     I find it dif­fi­cult to live my principles.
DID     Do you try?
FW     No.

I have nev­er iden­ti­fied more strong­ly with any­thing I have ever read.

 

—lau­rie rosenwald

Flom­mist Lau­rie Rosen­wald is an Amer­i­can il­lus­tra­tor, au­thor, artist, and de­sign­er. Copy­right © 2025 Lau­rie Rosen­wald. Swiped pic­tures in­clude some Dahl il­lus­tra­tor Joseph Schin­del­man.

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Der Tung
Posted
Thu 18 Dec 2025

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