We can try to captivate what is through modern media an infinite and chaotic landscape, we can try captivate what is through layers of fame and limitations of that media clogged which leads to an abyss of a jumble of words and a jumble of opinions, and the lack of what would be a fascist or at least ancient kind of propaganda, to focus on some key points, scale up the symphony to blur out the nuances that would lead to the masses running amok and running in circles with an unpolarized dogma leading to various smaller ever smaller growing circles …
and people would be LOST?!
I think, after time passed, it is safe to say romantics died with its aftermath, art nouveau and its death in art deco along with the suicide of Hitler.
Pointillism and impressionism weren’t modernist to begin with. They were a passage from romantic and academic, into the solipsist expressionism and minimalism of modern. And its genocide on everything classical as if an atom bomb was used, not in the least unwittingly helped along by avant garde humour.
While poor Jean Delville had to live up until the fifties to see most of the classical, if not destroyed, then mocked, gradually, even if he didn’t see the worst stages of that. At least the surrealists valued the classics again after the impasse of early avant garde in total rejection.
Further nuanciation was lost by the time Black Metal projected its ultimate provocation against the loss of any sensibility in the eighties. The sentimental synth songs replaced by a cold blooded nihilism and amorph production as heard today on all channels.
Modern then basically built the matrix of which we now see the conclusion. With movies like The Neverending Story (1984), In The Mouth Of Madness (1995), Dark City (1998), The Matrix (1999), Wings Of Fame (1990), all now a delusion theorem projected on the amorph masses in their cages, the question of what reality and culture is frequently arises.
To be trapped in a prison or to be barred of by the limitations of the masses to understand madness or brilliance, or projecting further, is deemed forever impossible by the substrates of thought ‘all is subjective” and ‘all is relative” or ‘all is an opinion’ whatever splendour it may lead to to think otherwise.
What we need to work on is project and craft each others different opinions rather then delving into the absolutist dross of philosophy itself. In the perceptual, the personal is truth!!
And apart from this, foremost challenge, to defeat the average mainstream that has not or sees no history, and has no or sees no future. We need the cosplay and the goths to become the new world fashion order, and for these marvelous worlds we need to have both esthetic architecture and perhaps some ironic or witty architecture projects, BOTH academic according to everlasting sentimental as serious archetypes, as well as new comic and new iconic art.
But mainly intelligentsia today, no longer as Marx said, should not think of the world, but change the world, a good and better method then this polarization in left and right would be, not to change the world, but art itself, to tell people where to build the walls. To tell people not to mock splendour in art architecture or clothing. To build movie cathedrals – perhaps leading the way to more allegory in fiction – which would make the entertainment in fiction more classical and hopeful instead of nihilist?!
The all is relative and I’m not a star and I’m going to dress in shirt and jogging pants, to, all is relative and i am a parasite that will glow like a star. Not only in clothing but in thoughts. So often the relative absorbs the light. Projected the small upon the intrinsic female elegance of the human body in general, hairless for sure … Or making the academic and our female elegance, in mind or ingenuity smaller opposed to the stars.
The physiological essence, what is seen, rather then what is projected, always has less to say then the projections from above or from within, bacteria or stars alike. But it is what we see that is art of which Jean Delville said “Shines from the spiritual plane” into art where it “condenses into matter.”
And that, as well, goes for the CONTENT, of the esthetics, where Blake once found that “One could never aqcuire more” “Therefore a universal spiritual genius exists.”
Modernists lost so much in the lack of nuanciation of these in the underground of early as late romantics. And more than individualism, it bound individualism in threads to support or affiliate in some way with ergonomics, junk, rubbish, commercial nihilism and consumer apathy.
—aeylyeaelle ellhe de ellendeh
Flommist Aeylyeaelle Ellhe De Ellendeh is a neoromantic and neosymbolist artist and philosopher, studied sculpting at The Royal Academy of Decorative Arts of Antwerp Belgium, He decried actually having fallen in love standing before the Psyche of Leighton in London, having cried over the Sleeping Beauty by Sussmann hellborn and having spiritual religious affections for the Sphinc Mysterieux by Charles van der Stappen. Decorative sculptor and Author of a neosymbolist mythology on Kantian perception, on the imagination, inspiration, art, decadence, esthetics and passion, hate, misanthropy mainly. Heavily influenced by Huysmans A rebours and Schopenhauers refuge in art as Sades will to free erotics. He invented the Eiffel tower several times the size of the current one in paris to launch trains into space in an art nouveau way. He invented candles on remote control. He invented a game of chess with over 200 pieces per player and in an entirely classical and descent setup. With a line of Bishops, an Army, angels, boulders, with towers that need to be defended forward to launch the boulders, with a court, and a higher court with Elvin, Elvin King, Emperor, Empress and vampire of melancholy and a vampire legion. He is a self declared madman and officially declared insane by the state of Belgium deu to his romantic uprisals. Designer and architect of the future city of Anaehtheana, which is best described as the most beautiful and luxurious place ever devised, with the concrete bridges done again in marble, a wild zoo where the highway is now. And a fortified vatican inspired wall for a legion of Joans of Arc he is trying to call. Among that, he is calling upon all archetypes currently in cosplay gothic and music to build, among other things, a Vampire Lane with gothic schools, gothic museums and gothic lounges and palaces. And an Angh angel fortress. It is his one and only and final mission to replace all commercial billboards with romantic and academic paintings. Etc … Copyright © 2018 Aeylyeaelle Ellhe De Ellendeh.
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