watch the FLOMM trailer!
@FLOMMUS twitter! FLOMM instagram! FLOMM facebook! buy us a coffee

THE BATTLE FOR MODeRN 1923


  chunks of flommus 

SUBSCRIBE!  FEEDLY     RSS     EMAIL 

germ-phobic asshat

My life is a se­ries of awk­ward mo­ments. Where oth­ers, es­pe­cial­ly my younger coun­ter­parts, shy away from ten­sion and em­bar­rass­ment, I hang ten off waves of shame and po­ten­tial hu­mour. There is pow­er in this abil­i­ty. It’s some­what akin to liv­ing theatrically. 

Dur­ing my time in com­mu­ni­ty the­ater I re­call that hu­mour was found in stretch­ing the scene. Does your char­ac­ter have a two minute mono­logue? Pre­tend you for­got your lines, stut­ter, bump into props (break them if you can) and watch the au­di­ence re­act. They will laugh every time.

chaplinBoxing

Some­times your au­di­ence is your bet­ter. This is the time to dou­ble down. The fool is nev­er the boss. He may be a tramp, or a jan­i­tor, but he’s rarely in charge. Why? The fool re­flects the truth in all of us. None of us is tru­ly com­pe­tent. We’re all in­se­cure scaf­fold­ing up­held by our egos. The fool is all Id. It’s me as­pir­ing to know myself. 

So, I shout out wrong an­swers. I make es­o­teric ref­er­ences to forty year old Avant Garde cin­e­ma that I have to back­track and ex­plain to the less cul­tured. I or­der off menu. I nev­er sam­ple, dou­ble dip, or share from someone’s glass. Yes, there is hu­mour in be­ing an un­apolo­getic germ-pho­bic asshat.
 

The hu­mour in the fool is de­rived from his short-term un­pop­u­lar­i­ty. It’s only af­ter­wards upon the retelling of his awk­ward ad­ven­tures that we laugh. He is both wel­come and cel­e­brat­ed in the re­cess­es of our mem­o­ry be­cause he has of­fered us a glimpse of whim­sy. The fool isn’t a sin­gle per­son. He is mere­ly a role we all play at our most con­fused angst-ad­dled moments. 

But don’t wor­ry. That ring­ing in your ear at the cusp of an anx­i­ety at­tack is mere­ly laugh­ter ex­tend­ing from the ages. Re­mind­ing us that we all live in a se­ries of anecdotes.
 
 

—louis her­nan­dez

Flom­mist Louis Her­dan­dez is ob­sessed with go­ing Bauhaus and be­com­ing The Ma­chine. Prefer­ably a drill press. Copy­right © 2016 Louis Hernandez. 

Poster and video from Chaplin’s Mod­ern Times (1936), still from City Lights (1931).

Louis will be part of KABARETT FLomm­stein, com­ing this fall … de­tails sooooon!

read en l’ordre cronológi­co

· · ·  a pre­vi­ous post
A NEXT POST  • • •
sub­se­cuente

shar­ing ist nice



PLEASE   SUPPORT   FLOMM
TIPS  +  DONATIONS  DISCREETLY  ACCEPTED

FLOMM
promotes learning  +  education worldwide
drawing attention to works by nü  +  upcoming artists,
designers, writers, musicians  +  MOR

OUR INVOLVEMENT
– however –
is mostly paid for out of pocket or in trade

IF YOU ENJOY
wat  FLOMM  is doing here, please consider


1.   LEAVE US A TIP  :
use our tip jar whenever the mood hits



2.   BUY OUR SWAG  :
our approach is semi-green —
                all our  FLOMMHAUS  merch is made to order




3.   HELP US OUT  :
use our hashtags  #flomm  #flommus  #whereisflomm  #nüflommart  #flommist
when posting on ur socials —
or drop us a note and offer to help in some way
everything we do is on a volunteer basis —
             when we say  YOU CAN BE A FLOMMIST TOO  this is wat we mean


THANK YOU
your support helps our continued efforts
to create content across numerous platforms

clic 「 HIER   」 to return to the DER TUNG front page

 

 

 
Der Tung
Posted
Mon 20 Jun 2016

    FLOMM is   an educational MODERN ART movement   •  art history resource
                                                         •  that promotes learning thru nü  • •  alternative medía  • • •

FLOMM is a Trademark of Steve Mehallo, Sacramento California USA. Copyright © Steve Mehallo. Call the FLOMM Answering Machine at +1 (916) 741 2394. FLOMM IS A SUPPORTER OF NON-VIOLENT ARTS EDUCATION.

flomm social media may contain explicit content foul language, questionable ideas, and art


    Contact:

    Required*