components.

Maybe the artist delves deep,
into the core of what mankind lost,
at least now,
when it lost all,
and then it’s like shards and splinters,
and we won­der how we could be so alien suddenly. 

We re­ject­ed the plain. 

And then we wonder,
how we could be so un­re­lat­ed to all, 

we man­u­fac­tured,
depths,
we jet­ted into the depths. 

And then, we reach for that … Into what is left.

It’s so far away, a kin­dred soul.
So i sit up late, once more, to find one. 

There must be one roam­ing tonight, perhaps … 

One keen on a war of culture.
The sin­is­ter plan, to abort something.
Not to be part of something. 

The cun­ning an­ar­chy of wis­dom to­day. Re­motes of all the plain­ly wis­doms of today

The dark moon in­fi­nate­ly de­pressed as she

from bleed­ing a mis­an­throp­ic trag­ic myths alas

nev­er i can gen­tly won­der so upon
my sweet­ness, a land, a heaven
There are no maid­en in chain mail here to fight.

Com­po­nents,
in a life of ground wood.

A decor.
And some of it so lost

it could nev­er act, nev­er even breathe

Far be­yond where i may gaze.

Un­known psy­chotics still drip­ping from my spirit.
 
 

—aey­lyeaelle ell­he de ellendeh

Flom­mist Aey­lyeaelle Ell­he De El­len­deh is a ne­oro­man­tic and neosym­bol­ist artist and philoso­pher, stud­ied sculpt­ing at The Roy­al Acad­e­my of Dec­o­ra­tive Arts of Antwerp Bel­gium, He de­cried ac­tu­al­ly hav­ing fall­en in love stand­ing be­fore the Psy­che of Leighton in Lon­don, hav­ing cried over the Sleep­ing Beau­ty by Suss­mann hell­born and hav­ing spir­i­tu­al re­li­gious af­fec­tions for the Sphinc Mys­terieux by Charles van der Stap­pen. Dec­o­ra­tive sculp­tor and Au­thor of a neosym­bol­ist mythol­o­gy on Kant­ian per­cep­tion, on the imag­i­na­tion, in­spi­ra­tion, art, deca­dence, es­thet­ics and pas­sion, hate, mis­an­thropy main­ly. Heav­i­ly in­flu­enced by Huys­mans A re­bours and Schopen­hauers refuge in art as Sades will to free erotics. He in­vent­ed the Eif­fel tow­er sev­er­al times the size of the cur­rent one in paris to launch trains into space in an art nou­veau way. He in­vent­ed can­dles on re­mote con­trol. He in­vent­ed a game of chess with over 200 pieces per play­er and in an en­tire­ly clas­si­cal and de­scent set­up. With a line of Bish­ops, an Army, an­gels, boul­ders, with tow­ers that need to be de­fend­ed for­ward to launch the boul­ders, with a court, and a high­er court with Elvin, Elvin King, Em­per­or, Em­press and vam­pire of melan­choly and a vam­pire le­gion. He is a self de­clared mad­man and of­fi­cial­ly de­clared in­sane by the state of Bel­gium deu to his ro­man­tic up­risals. De­sign­er and ar­chi­tect of the fu­ture city of Anae­htheana, which is best de­scribed as the most beau­ti­ful and lux­u­ri­ous place ever de­vised, with the con­crete bridges done again in mar­ble, a wild zoo where the high­way is now. And a for­ti­fied vat­i­can in­spired wall for a le­gion of Joans of Arc he is try­ing to call. Among that, he is call­ing upon all ar­che­types cur­rent­ly in cos­play goth­ic and mu­sic to build, among oth­er things, a Vam­pire Lane with goth­ic schools, goth­ic mu­se­ums and goth­ic lounges and palaces. And an Angh an­gel fortress. It is his one and only and fi­nal mis­sion to re­place all com­mer­cial bill­boards with ro­man­tic and aca­d­e­m­ic paint­ings. Etc … Copy­right © 2018 Aey­lyeaelle Ell­he De El­len­deh. Pic­tured: Still from Things to Come (1936), source.‬

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