my christendom shirt

 

nce peo­ple cap­i­tal­ized on a deity

to­day

we cap­i­tal­ize on profits

the world is a sight to behold

none of the spir­it or the beauty
no artist could be accepted
no wealth gen­er­ous to an elo­quent or sen­su­al con­tri­bu­tion to this culture

the bour­geoisie has si­phoned off all and to­geth­er with the avant garde has de­mol­ished everything

this one grand oc­cult pow­er­less dance of mon­ey and lit­tle gain at all

when we for­get that art and sen­su­al­i­ty is de­ity it­self we gain but drivel
throw away
garbage
and we stand naked in our costumes
worth­less un­der cosplay
worth­less un­der youth and bluff and power

MOD­ERNISM
is just the candy
you give to the children
so the adults may work out
the so­lu­tions to the issues
in peace

the game of mon­ey comes to an end

it is no longer what is most profitable
it is where WE want BEAUTY

and BEAU­TY will be ecological
 

 

my CHRIS­TEN­DOM shirt 

match­es the EAT THE RICH shirt

re­li­gion of capitalism

whats not to love?

cap­i­tal­ism of religion

the ul­ti­mate paradox

maybe i should print a cru­sad­er tabard and cloak with it

 

cut me in prof­its and you can sell ittttt

i don’t know if this cam­era works

 

—aey­lyeaelle ell­he de ellendeh

Flom­mist Aey­lyeaelle Ell­he De El­len­deh is a ne­oro­man­tic and neosym­bol­ist artist and philoso­pher, stud­ied sculpt­ing at The Roy­al Acad­e­my of Dec­o­ra­tive Arts of Antwerp Bel­gium, He de­cried ac­tu­al­ly hav­ing fall­en in love stand­ing be­fore the Psy­che of Leighton in Lon­don, hav­ing cried over the Sleep­ing Beau­ty by Suss­mann hell­born and hav­ing spir­i­tu­al re­li­gious af­fec­tions for the Sphinc Mys­terieux by Charles van der Stap­pen. Dec­o­ra­tive sculp­tor and Au­thor of a neosym­bol­ist mythol­o­gy on Kant­ian per­cep­tion, on the imag­i­na­tion, in­spi­ra­tion, art, deca­dence, es­thet­ics and pas­sion, hate, mis­an­thropy main­ly. Heav­i­ly in­flu­enced by Huys­mans A re­bours and Schopen­hauers refuge in art as Sades will to free erotics. He in­vent­ed the Eif­fel tow­er sev­er­al times the size of the cur­rent one in paris to launch trains into space in an art nou­veau way. He in­vent­ed can­dles on re­mote con­trol. He in­vent­ed a game of chess with over 200 pieces per play­er and in an en­tire­ly clas­si­cal and de­scent set­up. With a line of Bish­ops, an Army, an­gels, boul­ders, with tow­ers that need to be de­fend­ed for­ward to launch the boul­ders, with a court, and a high­er court with Elvin, Elvin King, Em­per­or, Em­press and vam­pire of melan­choly and a vam­pire le­gion. He is a self de­clared mad­man and of­fi­cial­ly de­clared in­sane by the state of Bel­gium deu to his ro­man­tic up­risals. De­sign­er and ar­chi­tect of the fu­ture city of Anae­htheana, which is best de­scribed as the most beau­ti­ful and lux­u­ri­ous place ever de­vised, with the con­crete bridges done again in mar­ble, a wild zoo where the high­way is now. And a for­ti­fied vat­i­can in­spired wall for a le­gion of Joans of Arc he is try­ing to call. Among that, he is call­ing upon all ar­che­types cur­rent­ly in cos­play goth­ic and mu­sic to build, among oth­er things, a Vam­pire Lane with goth­ic schools, goth­ic mu­se­ums and goth­ic lounges and palaces. And an Angh an­gel fortress. It is his one and only and fi­nal mis­sion to re­place all com­mer­cial bill­boards with ro­man­tic and aca­d­e­m­ic paint­ings. Etc … Copy­right © 2021 Aey­lyeaelle Ell­he De Ellendeh.‬

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