‘will grade and place complete highways in a single operation’

Be­cause I’m an artist and I’d like to make a new one.
Be­cause the old ones are … small. And old.
I mean, you al­ways have to do something.

 

You want com­mer­cial com­pa­nies to build roads?

Then they charge you right?
And you say fuck these month­ly pay­ments right?

No?
So you don’t want every­thing for free then?

Not my concern
if it’s com­merce or kap­i­tal­ism but some­one got­ta be de­vel­op­ing a se­ri­ous plan for the ar­chi­tec­ture. The FED was go­ing to help but yet again hasn’t re­spond­ed – even though the pro­mo on RADíO FLoMM al­ready aired.

Ba­si­cal­ly,
I don’t even think peo­ple who use no roads have mon­ey to pay taxes.

So why doesn’t some com­pa­ny vol­un­tar­i­ly pro­pose a new road sys­tem and all the beau­ti­ful ar­chi­tec­ture around it and ask peo­ple to take part in it and pay up to use it?

You still need to be a prin­ci­pled per­son and ac­tu­al­ly BUILD the fuck­er PROP­ER­LY sooooo I’ll fea­ture it on my site.

How much work do I need to do?

I mean, if there was as much re­sent­ment and dis­dain and detri­ment of cars and car com­mer­cials as there is for to­bac­co, then yes, I could understand.

 

—aey­lyeaelle ell­he de ellendeh

Flom­mist Aey­lyeaelle Ell­he De El­len­deh is a ne­oro­man­tic and neosym­bol­ist artist and philoso­pher, stud­ied sculpt­ing at The Roy­al Acad­e­my of Dec­o­ra­tive Arts of Antwerp Bel­gium, He de­cried ac­tu­al­ly hav­ing fall­en in love stand­ing be­fore the Psy­che of Leighton in Lon­don, hav­ing cried over the Sleep­ing Beau­ty by Suss­mann hell­born and hav­ing spir­i­tu­al re­li­gious af­fec­tions for the Sphinc Mys­terieux by Charles van der Stap­pen. Dec­o­ra­tive sculp­tor and Au­thor of a neosym­bol­ist mythol­o­gy on Kant­ian per­cep­tion, on the imag­i­na­tion, in­spi­ra­tion, art, deca­dence, es­thet­ics and pas­sion, hate, mis­an­thropy main­ly. Heav­i­ly in­flu­enced by Huys­mans A re­bours and Schopen­hauers refuge in art as Sades will to free erotics. He in­vent­ed the Eif­fel tow­er sev­er­al times the size of the cur­rent one in paris to launch trains into space in an art nou­veau way. He in­vent­ed can­dles on re­mote con­trol. He in­vent­ed a game of chess with over 200 pieces per play­er and in an en­tire­ly clas­si­cal and de­scent set­up. With a line of Bish­ops, an Army, an­gels, boul­ders, with tow­ers that need to be de­fend­ed for­ward to launch the boul­ders, with a court, and a high­er court with Elvin, Elvin King, Em­per­or, Em­press and vam­pire of melan­choly and a vam­pire le­gion. He is a self de­clared mad­man and of­fi­cial­ly de­clared in­sane by the state of Bel­gium deu to his ro­man­tic up­risals. De­sign­er and ar­chi­tect of the fu­ture city of Anae­htheana, which is best de­scribed as the most beau­ti­ful and lux­u­ri­ous place ever de­vised, with the con­crete bridges done again in mar­ble, a wild zoo where the high­way is now. And a for­ti­fied vat­i­can in­spired wall for a le­gion of Joans of Arc he is try­ing to call. Among that, he is call­ing upon all ar­che­types cur­rent­ly in cos­play goth­ic and mu­sic to build, among oth­er things, a Vam­pire Lane with goth­ic schools, goth­ic mu­se­ums and goth­ic lounges and palaces. And an Angh an­gel fortress. It is his one and only and fi­nal mis­sion to re­place all com­mer­cial bill­boards with ro­man­tic and aca­d­e­m­ic paint­ings. Etc … Copy­right © 2020 Aey­lyeaelle Ell­he De Ellendeh.

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