there is something about reality

And there is some­thing about spir­i­tu­al­i­ty too.

Math­e­mat­ics is at the be­hest of The Employer,
there is no ac­cu­rate math­e­mat­ics oth­er then to get the num­bers appropriate.

As much as a fish in the sea,
our mind is in reality.
So how could not the di­vine then exist?

And mu­sic.

MurkRat, Ilkim Oulanem and Corpseg­rinder – fe­male queen, there in front of panthers.

Hozier’s Take Me To Church,
cov­er by Jas­mine Thompson.

Some peo­ple will call a man a loony be­cause he has a bil­lion thoughts and think he is un­bal­anced while they stick to three im­be­cil­ic thoughts, and call it “nor­mal” and call their do­min­ion “re­al­i­ty.”

En­ter­tain­ment, boys, ads, hys­te­ria, politics,
it isn’t peace­ful on my radio.
 

 

St. Eu­lalia sac­ri­ficed her­self at 13 years to be part of her Mar­tyr kin, that’s how rather they sac­ri­fice to delu­sions rather then give in to a sim­plest reality. 

Mankind is not the san­est of species, nev­er was,
now they say Blow your trum­pets Gabriel. Telepath, and We need the An­gel of Light, Aris­ing, from the Forces of Hell.

 

We could work on a needs pyra­mid you and me,
high­est is mu­sic and philosophy,
low­est is some bread, a few eggs, some milk and a lot of water.

I mean, you can see how the food pyra­mid to­day is for con­sumers, eat three times a day, meat, sal­ads, pas­tas, oh my God the sol­diers in past times would kill all the masses …

If you have no money
you are lim­it­ed by reality,
you could eat out of a trough,
if you have your ba­sic needs you can man­age Su­pe­ri­or Arts.
That’s what a court is all about.
 

Well I DID ac­tu­al­ly just talk to the dead.
Schopen­hauer. You may imag­ine, it’s not pleas­ant to stum­ble words with­out any lips and a bit of dust where your brain was. 

But I did hear him; That’s how the dead speak to me.

He was still quite in­tel­li­gent though. Now I heard Sade, it was a more high­er pitched tone. Like Mozart play­ing in his skull.
 
 
 
 
 
 

They just mumble 😀
 

—aey­lyeaelle ell­he de ellendeh

Flom­mist Aey­lyeaelle Ell­he De El­len­deh is a ne­oro­man­tic and neosym­bol­ist artist and philoso­pher, stud­ied sculpt­ing at The Roy­al Acad­e­my of Dec­o­ra­tive Arts of Antwerp Bel­gium, He de­cried ac­tu­al­ly hav­ing fall­en in love stand­ing be­fore the Psy­che of Leighton in Lon­don, hav­ing cried over the Sleep­ing Beau­ty by Suss­mann hell­born and hav­ing spir­i­tu­al re­li­gious af­fec­tions for the Sphinc Mys­terieux by Charles van der Stap­pen. Dec­o­ra­tive sculp­tor and Au­thor of a neosym­bol­ist mythol­o­gy on Kant­ian per­cep­tion, on the imag­i­na­tion, in­spi­ra­tion, art, deca­dence, es­thet­ics and pas­sion, hate, mis­an­thropy main­ly. Heav­i­ly in­flu­enced by Huys­mans A re­bours and Schopen­hauers refuge in art as Sades will to free erotics. He in­vent­ed the Eif­fel tow­er sev­er­al times the size of the cur­rent one in paris to launch trains into space in an art nou­veau way. He in­vent­ed can­dles on re­mote con­trol. He in­vent­ed a game of chess with over 200 pieces per play­er and in an en­tire­ly clas­si­cal and de­scent set­up. With a line of Bish­ops, an Army, an­gels, boul­ders, with tow­ers that need to be de­fend­ed for­ward to launch the boul­ders, with a court, and a high­er court with Elvin, Elvin King, Em­per­or, Em­press and vam­pire of melan­choly and a vam­pire le­gion. He is a self de­clared mad­man and of­fi­cial­ly de­clared in­sane by the state of Bel­gium deu to his ro­man­tic up­risals. De­sign­er and ar­chi­tect of the fu­ture city of Anae­htheana, which is best de­scribed as the most beau­ti­ful and lux­u­ri­ous place ever de­vised, with the con­crete bridges done again in mar­ble, a wild zoo where the high­way is now. And a for­ti­fied vat­i­can in­spired wall for a le­gion of Joans of Arc he is try­ing to call. Among that, he is call­ing upon all ar­che­types cur­rent­ly in cos­play goth­ic and mu­sic to build, among oth­er things, a Vam­pire Lane with goth­ic schools, goth­ic mu­se­ums and goth­ic lounges and palaces. And an Angh an­gel fortress. It is his one and only and fi­nal mis­sion to re­place all com­mer­cial bill­boards with ro­man­tic and aca­d­e­m­ic paint­ings. Etc … Copy­right © 2018 Aey­lyeaelle Ell­he De El­len­deh. Pic­tured up top: Wass­i­ly Kandin­sky, Com­po­si­tion X (cropped), 1939.‬

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