the end of art

When a De­ity is not Uni­ver­sal for sure the key to The Imag­i­na­tion which makes it spir­i­tu­al and for it to in­still awe, is the qual­i­ty of The Imag­i­na­tion which is seren­i­ty. And that for sure op­posed to hys­te­ria and su­per­fi­cial­i­ty is Universal.

I ob­ject to when every­thing is sub­jec­tive there is noth­ing. Be­lieve in noth­ing is to cre­ate noth­ing. As many have done.

We need to undo this now.

With all the ex­act sci­ence now since The En­light­en­ment, we didn’t learn anything.

Yes, The Imag­i­na­tion is part of di­alec­tics and yes now we need a syn­the­sis of that imag­i­na­tion, to es­cape the con­straints of The Mod­ern World.

I am not say­ing re­li­gions can not be real, but with the prob­lem of the ob­ject to a sub­ject we dis­card­ed and made the imag­i­na­tion hor­rif­ic to the civ­il in the ro­man­tic era; which has its ad­van­tages and disadvantages.

Beau­ty be­came vir­tu­al, the ar­ti­san was lost, then again it re­sult­ed in a world with­out pow­er or cen­ter. A thing we need to reestab­lish now all on our own.

Athe­ism and Re­li­gion ver­sus The Imag­i­na­tion that is but a dis­tinc­tion our Mod­ern Lan­guage would like to make, in an or­gan­ic nat­ur­al re­al­i­ty Imag­i­na­tion, Art and Spir­i­tu­al­i­ty are one, there is enough dou­ble mean­ing and mys­tery of per­cep­tion to work on the majesty of Clas­si­cal Art, with­out it we are like a Plucked Bird.

But as you can’t de­cide for some­one else what Truth is Imag­i­na­tion is Uni­ver­sal and Seren­i­ty the val­ue of di­vin­i­ty – yes, op­posed to Iron­ic Imag­i­na­tion you could say.

It doesn’t have to be Just A Sto­ry as two hun­dred years of that brought us to­day to the End Of Art, Mod­ernism sure­ly isn’t a Berni­ni, so it has a phi­los­o­phy, it makes a con­cept of noth­ing out of what should be prophe­cy, there­fore it is a para­dox, and plain­ly, wrong.

Words can mere­ly es­tab­lish or plan and plot the Aes­thet­ics Of This World and rep­re­sent Deities in Allegory.

To look for Spir­i­tu­al­i­ty and not be a War­rior For The Ar­ti­san would then also be a paradox.

But here I do state that Art – and there­fore Fetishism – is Wide­ly Important.

 

—aey­lyeaelle ell­he de ellendeh

Flom­mist Aey­lyeaelle Ell­he De El­len­deh is a ne­oro­man­tic and neosym­bol­ist artist and philoso­pher, stud­ied sculpt­ing at The Roy­al Acad­e­my of Dec­o­ra­tive Arts of Antwerp Bel­gium, He de­cried ac­tu­al­ly hav­ing fall­en in love stand­ing be­fore the Psy­che of Leighton in Lon­don, hav­ing cried over the Sleep­ing Beau­ty by Suss­mann hell­born and hav­ing spir­i­tu­al re­li­gious af­fec­tions for the Sphinc Mys­terieux by Charles van der Stap­pen. Dec­o­ra­tive sculp­tor and Au­thor of a neosym­bol­ist mythol­o­gy on Kant­ian per­cep­tion, on the imag­i­na­tion, in­spi­ra­tion, art, deca­dence, es­thet­ics and pas­sion, hate, mis­an­thropy main­ly. Heav­i­ly in­flu­enced by Huys­mans A re­bours and Schopen­hauers refuge in art as Sades will to free erotics. He in­vent­ed the Eif­fel tow­er sev­er­al times the size of the cur­rent one in paris to launch trains into space in an art nou­veau way. He in­vent­ed can­dles on re­mote con­trol. He in­vent­ed a game of chess with over 200 pieces per play­er and in an en­tire­ly clas­si­cal and de­scent set­up. With a line of Bish­ops, an Army, an­gels, boul­ders, with tow­ers that need to be de­fend­ed for­ward to launch the boul­ders, with a court, and a high­er court with Elvin, Elvin King, Em­per­or, Em­press and vam­pire of melan­choly and a vam­pire le­gion. He is a self de­clared mad­man and of­fi­cial­ly de­clared in­sane by the state of Bel­gium deu to his ro­man­tic up­risals. De­sign­er and ar­chi­tect of the fu­ture city of Anae­htheana, which is best de­scribed as the most beau­ti­ful and lux­u­ri­ous place ever de­vised, with the con­crete bridges done again in mar­ble, a wild zoo where the high­way is now. And a for­ti­fied vat­i­can in­spired wall for a le­gion of Joans of Arc he is try­ing to call. Among that, he is call­ing upon all ar­che­types cur­rent­ly in cos­play goth­ic and mu­sic to build, among oth­er things, a Vam­pire Lane with goth­ic schools, goth­ic mu­se­ums and goth­ic lounges and palaces. And an Angh an­gel fortress. It is his one and only and fi­nal mis­sion to re­place all com­mer­cial bill­boards with ro­man­tic and aca­d­e­m­ic paint­ings. Etc … Copy­right © 2020 Aey­lyeaelle Ell­he De Ellendeh.

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