watch the FLOMM trailer!
@FLOMMUS threads! FLOMM instagram! FLOMM facebook! buy us a coffee

THE BATTLE FOR MODeRN 1923


  chunks of flommus 

SUBSCRIBE!  FEEDLY     RSS     EMAIL 

neither squares nor cubes

Cur­rent fic­tion is at an end.

           Mo­tion            Pic­ture
           or
           nov­els            alike –
The Matrix
and
In the Mouth of Madness
and
Dark City
and
Falling Down
and
Fahren­heit 451
           et cetera.

I have ex­tract­ed out of
Schopenhauer
and
especially
Against the Grain
by
Huysmans
and
sev­er­al oth­er nine­teenth cen­tu­ry au­thors the best ide­ol­o­gy I could come up with. 

It en­tails angels
and
muses
and
god­dess as a ghost­ly realm of per­cep­tion – which is­n’t en­tire­ly es­tab­lished yet. 

           I mean,
           we are            truth,
we make the truth as we go along,
but
they have made the truth into a crisis –
and
the sub­ject to be cen­tral to kap­i­tal­ism and com­mu­nism is what is con­test­ed here. As in the Man­i­fest that goes with it. 

It is a car­i­ca­ture of beauty
to de­pict the ab­sur­di­ty of
twen­ti­eth cen­tu­ry mod­ernist thinkers. 

           I mean,
           it should in­spire artists
to make a pa­gan mar­ket­place with sculp­tures into a gallery, as if that is­n’t an ab­surd ac­qui­es­cence to the mod­ern era. 

With it modernism
and
T.S. Eliot
and
Wait­ing for Godot
and
“noth­ing here re­mains, no fu­ture and no past”
from Slayer
and
many oth­ers to speak about when the end of arts comes to an end, it re­sumes art again. 

As is only possibility.
The noth­ing here re­mains is as i said.

A phi­los­o­phy that can’t ac­tu­al­ly work
is you still try­ing to prophet it;
it’s a paradox.
Pos­si­bly cre­at­ed out of the hu­mil­i­ty of the sub­ject and the no­tion you can’t say any­thing about beauty. 

But se­ri­ous­ly.
Let’s not stop say­ing some­thing about angels
and
muses
and
god­dess just yet.

           Let’s not con­tin­ue this matrix
of squares
and
cubes everywhere
and
the lit­tle en­ter­tain­ment goth­ic at an­oth­er place en­tire­ly known as kitsch.

 

—tris­ti­tia languorem

Flom­mist Tris­ti­tia Lan­guorem eats tragedy. They have many names but it doesn’t change much the whole premise of the ideals. Antwerp, Bel­gium is where home is. It’s time for a fresh start. Copy­right © 2021 Tris­ti­tia Lan­guorem. Pic­tured: Kandin­sky, Kleine Wel­ten VI (de­tail), 1922.

read en l’ordre cronológi­co

· · ·  a pre­vi­ous post
A NEXT POST  • • •
sub­se­cuente

shar­ing ist nice



PLEASE   SUPPORT   FLOMM
TIPS  +  DONATIONS  DISCREETLY  ACCEPTED

FLOMM
promotes learning  +  education worldwide
drawing attention to works by nü  +  upcoming artists,
designers, writers, musicians  +  MOR

OUR INVOLVEMENT
– however –
is mostly paid for out of pocket or in trade

IF YOU ENJOY
wat  FLOMM  is doing here, please consider


1.   LEAVE US A TIP  :
use our tip jar whenever the mood hits



2.   BUY OUR SWAG  :
our approach is semi-green —
                all our  FLOMMHAUS  merch is made to order




3.   HELP US OUT  :
use our hashtags  #flomm  #flommus  #whereisflomm  #nüflommart  #flommist
when posting on ur socials —
or drop us a note and offer to help in some way
everything we do is on a volunteer basis —
             when we say  YOU CAN BE A FLOMMIST TOO  this is wat we mean


THANK YOU
your support helps our continued efforts
to create content across numerous platforms

clic 「 HIER   」 to return to the DER TUNG front page

 

 

 
Der Tung
Posted
Thu 4 Feb 2021

    FLOMM is   an educational MODERN ART movement   •  art history resource
                                                         •  that promotes learning thru nü  • •  alternative medía  • • •

FLOMM is a Trademark of Steve Mehallo, Sacramento California USA. Copyright © Steve Mehallo. Call the FLOMM Answering Machine at +1 (916) 741 2394. FLOMM IS A SUPPORTER OF NON-VIOLENT ARTS EDUCATION.

flomm social media may contain explicit content foul language, questionable ideas, and art


    Contact:

    Required*