Maybe if we finally wanted to start over,
which we might like to do in order to distance us from a new toothpaste,
a new sugar drink,
and a new smartphone every month or every week.
We might like to call modernism …
Something else
then modernism?
Why does it have to be ‘modern’ not to then befall or collapse
rather as a caricature of The New,
and a presumption of inevitable ingenuity??
Technological hypermarvelism??
Idea craze?
We may call it The Patent Age,
something else
finally a concept is an allegory in an undecorative form
it is really nothing new.
Be it that
over a long period of time and with the event of cheap materials,
the professionalism and industrial scale gallery
and the museum not for an event,
a societal (bourgeois) playade of frocks and gentlemen,
but
despite developed media and film and photography
an
indepth study of the pure and primordial ‘object.’
We could say if you went to see Gustave Doré
in a gallery
in the summer of 1870
you would be going more to a modern cinema,
that is the equivalent.
To then presume, that modern art is high art
because it is in a gallery is entirely mixing up the premise here.
The age of Schnitzler is a classic in modernism,
as it is so degenerate in analysis that is supposed to be objective,
as really it is petit bourgeois in all of its analysis as so many modernist analysis and architecture really is.
Not the least to speak of modern art,
the morals of I am an artist and nobody has the right to defy me are spewing out everywhere.
The avant garde were actually protesting,
the feminist movement was actually trying to emancipate.
Now it’s all just vanity without a shred of lust or kinky.
hahah
For I hide in caves,
caverns and dungeons,
in crevices deep
in a shitty city street
over which regular people stumble.
—aeylyeaelle ellhe de ellendeh
Flommist Aeylyeaelle Ellhe De Ellendeh is a neoromantic and neosymbolist artist and philosopher, studied sculpting at The Royal Academy of Decorative Arts of Antwerp Belgium, He decried actually having fallen in love standing before the Psyche of Leighton in London, having cried over the Sleeping Beauty by Sussmann hellborn and having spiritual religious affections for the Sphinc Mysterieux by Charles van der Stappen. Decorative sculptor and Author of a neosymbolist mythology on Kantian perception, on the imagination, inspiration, art, decadence, esthetics and passion, hate, misanthropy mainly. Heavily influenced by Huysmans A rebours and Schopenhauers refuge in art as Sades will to free erotics. He invented the Eiffel tower several times the size of the current one in paris to launch trains into space in an art nouveau way. He invented candles on remote control. He invented a game of chess with over 200 pieces per player and in an entirely classical and descent setup. With a line of Bishops, an Army, angels, boulders, with towers that need to be defended forward to launch the boulders, with a court, and a higher court with Elvin, Elvin King, Emperor, Empress and vampire of melancholy and a vampire legion. He is a self declared madman and officially declared insane by the state of Belgium deu to his romantic uprisals. Designer and architect of the future city of Anaehtheana, which is best described as the most beautiful and luxurious place ever devised, with the concrete bridges done again in marble, a wild zoo where the highway is now. And a fortified vatican inspired wall for a legion of Joans of Arc he is trying to call. Among that, he is calling upon all archetypes currently in cosplay gothic and music to build, among other things, a Vampire Lane with gothic schools, gothic museums and gothic lounges and palaces. And an Angh angel fortress. It is his one and only and final mission to replace all commercial billboards with romantic and academic paintings. Etc … Copyright © 2018 Aeylyeaelle Ellhe De Ellendeh. Pictured: Le Corbusier.
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