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THE BATTLE FOR MODeRN 1923


  chunks of flommus 

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fraid so … 0_o

oh snap …

look who just got bust­ed

this one close to home …
went to school with home­boy …

you kno …
ro­seville, cal­i­for­nia was sup­pos­ed­ly named af­ter a pros­ti­tute
so was her dirty lit­tle broth­er .…
bros’ville

i am kin­da with le­gal­iza­tion …

ain’t got­ta prob­lem with two adults mak­ing arrange­ments .…
only rea­son the youn­gens get pulled in be­cause it is il­le­gal .…
hu­man traf­fick­ing game is twice the size of il­le­gal arms trade .…
keeps the youn­gins out of it …
but still should be ma­jor no no for po po …

we all got good and bad ones in all of us …

cops mil­i­tary church school work …

we make mis­takes we got be re­spon­si­ble to right our wrongs …
tough to throw stones …
ex­cept them over there .… fuck those guys for sure … lol

not all cops are bad …
m’kay …

damn sun … you got GOT.

 

—bri­an-an­tho­ny

Flom­mist Bri­an-An­tho­ny is a for­mer artist, crafts­man and de­sign­er turned part time law stu­dent via YouTube and Google, works at a print shop, full time fa­ther, all around Good Samar­i­tan, en­joys a fine sati­va, read­ing and Ari­zona Green Tea. Copy­right © 2017 Bri­an-An­tho­ny. Pic­tured: Otto Dix, The Sa­lon I, 1921, Kun­st­mu­se­um Stuttgart © Ga­lerie der Stadt Stuttgart; Otto Dix, Three Pros­ti­tutes in the Street (and one very small dog), 1925, Otto Dix, The Sa­lon II (cropped), 1925 (de­stroyed), source and source.

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Der Tung
Posted
Fri 22 Dec 2017

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