So it’s ALWAYS the same
They ALL say everything is subjective now didn’t they?
In the past they were all religious. So now I want them all to say everything needs to be art.
The castle Neuschwanstein and the romantics and art nouveau already dealt with kitsch.
It wasn’t developed properly and degraded into cosplay and role play, and the conceptual evolved over it and won.
Both kitsch and concept run dead.
To get perpetually more irony out and more beauty into society should be part of the œcologic and æsthetic reality. To keep crafting and fighting our way out of the ultimate deficit which is
MODERN-ISM
to be noted minimalism and conceptualism, and irony.
In a world where there is no conviction, the material goods kitsch and concept become the only relevant object realities, the only things we can develop and debate on. For that you need to perceive the whole of the past 200 years and redevelop it.
With the irony that all that matters in life is really war and religious dogma, and there is no other point to it.
We now need a pluralist conception of æsthetics, living and composing in our own world, where it is ridiculous, we craft it and grow more serious, where it is conceptual, we can use decoration and allegory.
In the mathematics of images feeling a deeper perspective of melancholy, hate, art, etc, we are provided our only meaning. It is this or insanity.
We can build all minimalist canisters and have simple posters instead of paintings in it, stuff it with our own interests, drink beer and eat pizza, basically everything else would be considered kitsch.
If you have this for everyone, it’s the only meaning, and even THAT is ultimately kitsch.
So whereas you can laugh taking beauty seriously. You may laugh at pizzas and beer basics just as well. We are ridiculous yes, we are living, we are not in physical torment or despair.
Hence a rebuilding of æsthetics and ritual under the whole libertine irony that all is useless is the only way out.
Composing the useless is effectively æsthetic and an act of pure consciousness. To be alive without bereavement is an artistic state. To survive it without the need for polarization or nihilism is not easy or impossible without art.
Schopenhauer said the solution was art, Camus said the only philosophical problem was suicide, they EVOLVED the problem and this led to
MODERN-ISM.
But both life as suicide and contemplating it is art, as it is life.
You can not develop
MODERN-ISM,
you can only take a step back and develop the precursors to
MODERN-ISM,
treat them in a different way.
Not just plunge into the cliff of nihilism like they all did, and deconstruct the whole philosophy over and deeper again.
That religious dogma proves to be the only sensation of truth a person has is absurd, Kant said the ONLY thing we know is the object to a subject.
But we basically now know of kitsch and concept. An allegoric meaning, or a minimal idea; synthesis and acceptance of both is key. Integration of technology and idea into a solid, not kitschy æsthetics.
Or at least a new course of kitsch, robed in more classical substance.
We emancipate all the subjects as we can talk about the forms now opposing each other. Artisan reality opposed to the reality of machine-made and simple idea.
FIX IT THEN. ANYONE?
sometimes i don’t know what the debate left right is about.
We ’t need the left right debate
WE NEED ACTION!
And I say I hate hypercivility and mass mentality as it is obviously just a RELIGION, every character and personality mankind possesses was already raised as an aristocrat in some form or manner so every personality can be a king, a monarch, a noble, a decadent in some form or manner – be it sometimes sinister or perhaps decadent – even if humans are USUALLY decadent of some sort.
BUT WHY IDENTIFY with ‘the working class’ or with ‘the civil majority’ or with ‘the middle class’ – it’s redundant, outdated, and terribly embarrassing.
If that’s your play, I want to be labelled a mental patient and I wish and will convince you to do the same with your messias.
—aeylyeaelle ellhe de ellendeh
Flommist Aeylyeaelle Ellhe De Ellendeh is a neoromantic and neosymbolist artist and philosopher, studied sculpting at The Royal Academy of Decorative Arts of Antwerp Belgium, He decried actually having fallen in love standing before the Psyche of Leighton in London, having cried over the Sleeping Beauty by Sussmann hellborn and having spiritual religious affections for the Sphinc Mysterieux by Charles van der Stappen. Decorative sculptor and Author of a neosymbolist mythology on Kantian perception, on the imagination, inspiration, art, decadence, esthetics and passion, hate, misanthropy mainly. Heavily influenced by Huysmans A rebours and Schopenhauers refuge in art as Sades will to free erotics. He invented the Eiffel tower several times the size of the current one in paris to launch trains into space in an art nouveau way. He invented candles on remote control. He invented a game of chess with over 200 pieces per player and in an entirely classical and descent setup. With a line of Bishops, an Army, angels, boulders, with towers that need to be defended forward to launch the boulders, with a court, and a higher court with Elvin, Elvin King, Emperor, Empress and vampire of melancholy and a vampire legion. He is a self declared madman and officially declared insane by the state of Belgium deu to his romantic uprisals. Designer and architect of the future city of Anaehtheana, which is best described as the most beautiful and luxurious place ever devised, with the concrete bridges done again in marble, a wild zoo where the highway is now. And a fortified vatican inspired wall for a legion of Joans of Arc he is trying to call. Among that, he is calling upon all archetypes currently in cosplay gothic and music to build, among other things, a Vampire Lane with gothic schools, gothic museums and gothic lounges and palaces. And an Angh angel fortress. It is his one and only and final mission to replace all commercial billboards with romantic and academic paintings. Etc … Copyright © 2019 Aeylyeaelle Ellhe De Ellendeh. Montage by mehallo.
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