i think of us standing beside a highway

you are build­ing this
Cubes, hive, a can­is­ter of op­por­tu­ni­ty.
We are here to de­mand a few things of this world.

first
PLU­RAL­ISM
You will al­low op­por­tu­ni­ty to ex­ist.
If we say we are faeries, elves, goths, an­gels, vam­pires, LGBTQ+, or bloody emos for cry­ing out loud: Let us ex­ist.
We are op­por­tu­ni­ties!
Not every­thing needs to be part of your sub­jec­tive re­al­i­ty based on a struc­ture and the be­liefs of the struc­ture.
We are not just bac­te­ria you know.
Some of us would like to use aes­thet­ics, an­cient sym­bols, an­cient or new­er ways of rit­u­al.
That’s the first thing we de­mand.

the sec­ond thing
RECOG­NI­TION
Al­low us to ex­ist is to rec­og­nize us for our names and aes­thet­ic con­cepts.
Op­por­tu­ni­ties are aris­ing right now.
And we are aware some peo­ple are frus­trat­ed be­cause the world means shit.
Doesn’t al­low you to piss on oth­ers for try­ing to be some­thing oth­er than just the mind hive and the mind of the hive.
You have a se­ri­ous prob­lem with that.

third
STOP TROLLING AND DIS­LIKE
Now as a part of that game you go on, rant­i­ng and spew­ing spit all over the place.
It’s not be­cause we are all dif­fer­ent and de­vel­op dif­fer­ent aes­thet­ic con­cepts you have to spit on all that is aes­thet­ic.
On the Ayris mMa­chine we mean to in­su­late our­selves as best we can, so we are rid of you.
At least if you mean to be de­con­struc­tive or just a gen­er­al ass­hole, stay away be­fore you sick­en the at­mos­phere there too. Try to see delu­sions for what they are, very in­ter­est­ing I might con­sid­er. There were 2000 years of church­es built for delu­sions. Like­ly we have to find our­selves a new delu­sion to get some­thing de­scent for aes­thet­ics worked out for us to live.

which leads us to the fourth de­mand
AR­CHI­TEC­TURE
You can not just build the hive mind worth of slop­py cages.
Some of us re­al­ly like a re­al­i­ty.
For that you will al­low the bulk of un­der­ground move­ments their prop­er ar­chi­tec­ture.
And we have loads of de­signs al­ready.
Again, you can not just build a maze of emp­ty walls and cor­ri­dors and trains and planes and au­to­mo­biles with­out the slight­est amount of dec­o­ra­tion, beau­ty, or ar­ti­san sym­bol­ist and mer­it in it.
If we have our ar­chi­tec­ture we will prob­a­bly like to DRESS how we want and hang the PAINT­ING that we want and have some of the SCULP­TURES that we want we don’t re­al­ly need your recog­ni­tion at all. I hope this soothes you and helps you and makes you at peace, we are not claim­ing the whole world, just a lav­ish dec­o­ra­tive palace away from the rant­i­ng slobs.

last but not least, and the most in­tru­sive prob­a­bly
ECOL­O­GY
Now you will nev­er get out of your de­bates,
as cur­rent­ly pro­posed by some­thing of which could be con­sid­ered a leader. We are de­vel­op­ing some eco­log­i­cal ideas.
We will es­tab­lish with a board of artists how the world HAS to look for our sur­vival, and how Mars and Venus and be­yond HAS to look for our sur­vival, as we are sort of a bac­te­r­i­al growth wait­ing to pop out some­how. WITH the tech­nol­o­gy to do it. Now we don’t be­long on Mars and we can have ro­bots do the work. And we are done with it. Our mis­sion is to sow the gar­dens of the earth on all the deserts of the Uni­verse and we have no oth­er mis­sion.

now for the spir­i­tu­al­i­ty
I did roam around for 10 years try­ing to fig­ure, how on earth to solve this.
I did have a white dove at my win­dow af­ter read­ing the the­o­ry of rel­a­tiv­i­ty in the very same room.
That is, as much beau­ti­ful as po­et­ic.
BUT IT IS THE ONLY sign be­yond physics you are go­ing to get.
THAT is IT
IT’S ENOUGH
Now I have palaces com­posed mean­while.
And they need to be POP­U­LAT­ED.
So it would­n’t be that hard a claim for some in US and Rus­sia and world­wide Bible Belts to ap­peal. To come al­ready come on step clos­er as my per­son­al spir­i­tu­al army.
Well, have a nice fu­ture and also be spared death and old age. Just dis­eases that will be re­solved.
Now come along. Live in a clas­si­cal fortress. AN­GELS; of ANGH, ELVIN come on, claim your street, and we’ll build you a sen­ate. The world needs, the SU­PERB es­thet­ics, and you can do it. The world is there for the tak­ing. Di­vide and con­quer. They are di­vid­ed, we need not even con­quer.

now for the ones in the dark
There is ac­tu­al­ly a nat­ur­al ex­pla­na­tion for this. It’s called evo­lu­tion. It was a long and mys­te­ri­ous plot, but a hand be­yond mere sub­jects and ob­jects does ex­ist.
That is with­out a doubt. The movies Wings Of Fame (1990), The Night Porter (1974), Dark City (1998), In the Mouth of Mad­ness (1995) and many oth­ers treat of some sym­bol­ics, that our minds are tied to sym­bol­ics is in­evitable. That was go­ing to be a so­lu­tion for the se­vere prob­lems we thought our­selves into ac­tu­al­ly CON­SID­ER­ING the doubt of meta­physics and beau­ty and all that is hu­man and worth­while. THE AN­SWER is now giv­en. If you want to be a part of that. Then join us. If you don’t. Please try en­joy your snacks and your movies with­out ac­tu­al­ly be­ing frus­trat­ed for noth­ing much oth­er­wise hav­ing a rea­son for it.
I was frus­trat­ed too.
I can give you light.
Which is the philo­soph­i­cal rat­i­fi­ca­tion, a log­i­cal con­clu­sion to a de­funct sys­tem of thought and cul­ture.
But some do not want the light. A light that was giv­en in lit­er­a­ture and phi­los­o­phy all along. And just need­ed the proof for a dom­i­nance, or at least the chance in a world of some five or six dead move­ments, to re­vi­tal­ize.
And it comes in­deed with proof of spir­i­tu­al signs and all that rub­bish.
It comes with mythol­o­gy and aes­thet­ic the­o­ry.
Now what more do you want from me?
LEARN
to DIS­TANCE YOUR­SELF from me.
if you have noth­ing to of­fer to me.
I am here, for a clear and mag­nif­i­cent cause.
I have to fight for that.
And I WILL fight this whole world
for find­ing a few peo­ple in the dark un­der­neath.
Who would be com­fort­ed and con­vinced by it.
To more a de­gree then your lack of reser­va­tion.
Against a time with­out beau­ty or splen­dour or re­li­gion or virtue or any­thing grotesque.
Just build­ing cages. Liv­ing corpse­fy­ing the past.
You are IT.
Noth­ing will ever come of the fu­ture bil­lions of years of hu­man­i­ty.
If it is NOT you to con­ceive and build it.
So the few thou­sand years we had.
Are just the stones we stacked in our own back­yard, with our own hands.
There needs to be no sci­en­tif­ic ar­rest to any de­cay.
Or a con­cep­tu­al­ized no­tion that what was once is not now.
YOU YOUR­SELF built the Pyra­mids and the Acrop­o­lis and the Eif­fel Tow­er and the Taj Ma­hal.
You watched it.
Now you can make your own cul­ture from scratch and a syn­the­sis of all cul­tures.
Not con­ve­nience stores and pita bars along with an in­ter­na­tion­al Mc­Don­alds. And Bel­gium be­ing the choco­late and waf­fle fac­to­ry.
We some­times get de­spaired over our more so­phis­ti­cat­ed and in­no­v­a­tive and avant garde back­ground. To see things that should be gen­er­al­ly know but sim­ply aren’t.
And then how amus­ing do you think our sub­jec­tive life is among all sub­jects?
Mhmm?

now
Some of us don’t ac­tu­al­ly want to be part of this me­dia cir­cus and this world, or even this life. BUT NEED TO BE. It is with no reser­va­tion I am here telling you. I HAVE FRAIL AND BEAU­TI­FUL SOULS TO TAKE CARE OF. WHAT OF THAT YOU DON’T AGREE WITH OR DO NOW CRED­IT ME FOR. Is BE­YOND ME. You are into a se­ri­ous philo­soph­i­cal mis­take of a so­ci­ety.

as for dis­lik­ing so many clips
I am here­by of­fi­cial­ly de­clar­ing and stand on the fact, that every dis­like will be cleared, ex­cept for TYT, I DON’T ac­tu­al­ly like to see all these ra­bid and de­spaired anony­mous voic­es dis­lik­ing and de­bas­ing and trolling. So your voice will be anony­mous, your con­tri­bu­tion will be for­got­ten, and you and what you mean will be thrown en­tire­ly into the garbage dump.

 

—aey­lyeaelle ell­he de el­len­deh

Flom­mist Aey­lyeaelle Ell­he De El­len­deh is a ne­oro­man­tic and neosym­bol­ist artist and philoso­pher, stud­ied sculpt­ing at The Roy­al Acad­e­my of Dec­o­ra­tive Arts of Antwerp Bel­gium, He de­cried ac­tu­al­ly hav­ing fall­en in love stand­ing be­fore the Psy­che of Leighton in Lon­don, hav­ing cried over the Sleep­ing Beau­ty by Suss­mann hell­born and hav­ing spir­i­tu­al re­li­gious af­fec­tions for the Sphinc Mys­terieux by Charles van der Stap­pen. Dec­o­ra­tive sculp­tor and Au­thor of a neosym­bol­ist mythol­o­gy on Kant­ian per­cep­tion, on the imag­i­na­tion, in­spi­ra­tion, art, deca­dence, es­thet­ics and pas­sion, hate, mis­an­thropy main­ly. Heav­i­ly in­flu­enced by Huys­mans A re­bours and Schopen­hauers refuge in art as Sades will to free erotics. He in­vent­ed the Eif­fel tow­er sev­er­al times the size of the cur­rent one in paris to launch trains into space in an art nou­veau way. He in­vent­ed can­dles on re­mote con­trol. He in­vent­ed a game of chess with over 200 pieces per play­er and in an en­tire­ly clas­si­cal and de­scent set­up. With a line of Bish­ops, an Army, an­gels, boul­ders, with tow­ers that need to be de­fend­ed for­ward to launch the boul­ders, with a court, and a high­er court with Elvin, Elvin King, Em­per­or, Em­press and vam­pire of melan­choly and a vam­pire le­gion. He is a self de­clared mad­man and of­fi­cial­ly de­clared in­sane by the state of Bel­gium deu to his ro­man­tic up­risals. De­sign­er and ar­chi­tect of the fu­ture city of Anae­htheana, which is best de­scribed as the most beau­ti­ful and lux­u­ri­ous place ever de­vised, with the con­crete bridges done again in mar­ble, a wild zoo where the high­way is now. And a for­ti­fied vat­i­can in­spired wall for a le­gion of Joans of Arc he is try­ing to call. Among that, he is call­ing upon all ar­che­types cur­rent­ly in cos­play goth­ic and mu­sic to build, among oth­er things, a Vam­pire Lane with goth­ic schools, goth­ic mu­se­ums and goth­ic lounges and palaces. And an Angh an­gel fortress. It is his one and only and fi­nal mis­sion to re­place all com­mer­cial bill­boards with ro­man­tic and aca­d­e­m­ic paint­ings. Etc … Copy­right © 2019 Aey­lyeaelle Ell­he De El­len­deh.

PLEASE   SUPPORT   FLOMM
TIPS  +  DONATIONS  DISCREETLY  ACCEPTED

FLOMM
promotes learning  +  education worldwide
drawing attention to works by nü  +  upcoming artists,
designers, writers, musicians  +  MOR

OUR INVOLVEMENT
– however –
is mostly paid for out of pocket or in trade

IF YOU ENJOY
wat  FLOMM  is doing here, please consider


1.   LEAVE US A TIP  :
use our tip jar whenever the mood hits



2.   BUY OUR SWAG  :
our approach is semi-green —
                all our  FLOMMHAUS  merch is made to order



3.   HELP US OUT  :
use our hashtags  #flomm  #flommus  #whereisflomm  #nüflommart  #flommist
when posting on ur socials —
or drop us a note and offer to help in some way
everything we do is on a volunteer basis —
             when we say  YOU CAN BE A FLOMMIST TOO  this is wat we mean

THANK YOU
your support helps our continued efforts
to create content across numerous platforms

clic 「 HIER   」 to return to the DER TUNG front page