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THE BATTLE FOR MODeRN 1923


  chunks of flommus 

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might be overcompensating

Thou­sands of years of Doom
of my soul. 

BIL­LIONS of years of anguish.
AN IN­FIN­I­TY of despair,
but i come at my peace on this distance,
be­cause when i saw you i knew i would make it. 

PER­FEC­TION of uni­ty the moment
the sec­ond i will tell you. 

I’m close enough now,
i am at peace;
i will bend the earth to my beau­ti­ful will,
i will want a rule established
for all an­gels if it were just for you
months, years from now. 

I might be overcompensating. 

BUT you will have and for you a house
where most homes or all homes possibly
are gathered,
the house of houses
with you as a crown. 

To reign forever.

For­ev­er you need to be
just for those hugs of yours
to wear off the curs­es upon me.

Im­mor­tal­i­ty a sad spell
that on earth would dwell
into the abysses
if it was not for me
if it was not for my love for you
and with­out you
i would let them run;
i’d sit alone on the moon
forever
with you.

I will amaze them with my brilliance
forever.

You will and must do that for me
and see and be my im­mor­tal­i­ty cursed
and you will have that curse with me
and every day when they tend to you
and it be­comes too much for you
or you should cry
and think this is too much
then i will be there
to have not my usu­al drink but to have your tears to drink
forever
and for­ev­er again.

 

—aey­lyeaelle ell­he de ellendeh

Flom­mist Aey­lyeaelle Ell­he De El­len­deh is a ne­oro­man­tic and neosym­bol­ist artist and philoso­pher, stud­ied sculpt­ing at The Roy­al Acad­e­my of Dec­o­ra­tive Arts of Antwerp Bel­gium, He de­cried ac­tu­al­ly hav­ing fall­en in love stand­ing be­fore the Psy­che of Leighton in Lon­don, hav­ing cried over the Sleep­ing Beau­ty by Suss­mann hell­born and hav­ing spir­i­tu­al re­li­gious af­fec­tions for the Sphinc Mys­terieux by Charles van der Stap­pen. Dec­o­ra­tive sculp­tor and Au­thor of a neosym­bol­ist mythol­o­gy on Kant­ian per­cep­tion, on the imag­i­na­tion, in­spi­ra­tion, art, deca­dence, es­thet­ics and pas­sion, hate, mis­an­thropy main­ly. Heav­i­ly in­flu­enced by Huys­mans A re­bours and Schopen­hauers refuge in art as Sades will to free erotics. He in­vent­ed the Eif­fel tow­er sev­er­al times the size of the cur­rent one in paris to launch trains into space in an art nou­veau way. He in­vent­ed can­dles on re­mote con­trol. He in­vent­ed a game of chess with over 200 pieces per play­er and in an en­tire­ly clas­si­cal and de­scent set­up. With a line of Bish­ops, an Army, an­gels, boul­ders, with tow­ers that need to be de­fend­ed for­ward to launch the boul­ders, with a court, and a high­er court with Elvin, Elvin King, Em­per­or, Em­press and vam­pire of melan­choly and a vam­pire le­gion. He is a self de­clared mad­man and of­fi­cial­ly de­clared in­sane by the state of Bel­gium deu to his ro­man­tic up­risals. De­sign­er and ar­chi­tect of the fu­ture city of Anae­htheana, which is best de­scribed as the most beau­ti­ful and lux­u­ri­ous place ever de­vised, with the con­crete bridges done again in mar­ble, a wild zoo where the high­way is now. And a for­ti­fied vat­i­can in­spired wall for a le­gion of Joans of Arc he is try­ing to call. Among that, he is call­ing upon all ar­che­types cur­rent­ly in cos­play goth­ic and mu­sic to build, among oth­er things, a Vam­pire Lane with goth­ic schools, goth­ic mu­se­ums and goth­ic lounges and palaces. And an Angh an­gel fortress. It is his one and only and fi­nal mis­sion to re­place all com­mer­cial bill­boards with ro­man­tic and aca­d­e­m­ic paint­ings. Etc … Copy­right © 2023 Aey­lyeaelle Ell­he De El­len­deh. Im­age: Samuel_Palmer, A Shep­herd and his Flock un­der the Moon and Stars (de­tail), c. 1827.

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Der Tung
Posted
Tue 20 Jun 2023

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